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Full text of "High jinks : a musical farce in three acts"

UNIVERSITY OF 

ILLINOIS LIBRARY 

AT URBANA-CHAMPAIGN 

MUSIC 



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UNIVERSITY OF ILLINOIS LIBRARY AT UHBANA-CHAMPAIGN 












m^is^^ 



LI6I— O-1096 



[/\XJt..,-».-^i \ V 







UWlVERSiTY Of.ruirrais 

LIBRARy 



HIGH JINKS 

A MUSICAL FARCE IIN THREE ACTS 



The Book and Lyrics by 

LEO DIETRJCHSTELN and OTTO HAUERBACH 



The Music by 

RUDOLF FRIML 



VOCAL SCORE 
$2.00 net 

FIRST EDITION 



NEW YORK : G. SCHIRMER 

BOSTON : THE BOSTON MUSIC CO. 
LONDON : G. SCHIRMEK, LTU. 



V 



/ 



Copyright, 1913, by G. Schirmer 



Depositado conforme a la ley de la Republica Mexicana en 

el ano MCMXIII por G. Schirmer, (Inc.), Proprietarioa 

Nueva \ork y Mexico 







/J 

icy 



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CAST OF CHARACTERS 

(IN THP: order of their APPEARANCE) 
AS PLAYED AT THE CASINO THEATRE, NEW YORK 

Dr. Gaston Thorne Robt. Pitkin 

Florence Elaine Hammerstein 

M. Jacques Rabelais Ignacio Martinetti 

Mme. Rabelais Edith Gardner 

Maid , Marjorie Melville 

Dick Wayne Burrell Barbaretto 

Mrs. Marion Thorne Ada Meade 

Fritz Denkmahl. Snitz Edwards 

Mr. J. J. Jeffreys Tom Lewis 

Adelaide Fontaine Stella Mayhew 

Sylvia Dale Audrey Maple 

Mlle. Chi-Chi Emlie Lea 

Gar^on Alfred Schultz 

Page Elsie Gergley 

Mrs. Thorne's Companion Gladys Feldman 



Book by 
Otto Hauerbach 



Marziale 



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High Jinks 

A Musical Farce 



No.l, Overture 



Piano 



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Music by 
Rudolf Friml 



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Copyright, 1913, btj O. Schirmer 

Sepositado conforme a la ley de la Repiiblica Mexicana en el ano MCMXIII 

por G. Schirmer (Inc.), Propletarlos.Nueva York y Mexico 



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ACT I 

No. 2. Song with Chorus 
Something Seems Tingle -ingleing 

Dick 

Allegretto 



Dick 



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1. Be-yond the Him-a - lay- a moun-tains, 

2. The Ro-mang^od of ju - bi - la - tion— 




Where flows the great Tsan 
Old Mo - mus was his 



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Be - side old Ti - bet's laugh-ing- 
He wooed the god-dess Ex - ul - 




foun-tains 
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Of weird Bud-dhis - tic fame. 



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Their son was High Jinks, a sen- 



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died of chron-ic cach-in - na - tion,Just laug-hedhim-self to death His soul be- 



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// 



20 



No. 3. Song 

Jim 

Adelaide 



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l.When I g-et think- in' of 
3. When I g'et start - ed on 



Jim, 
Jim 



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Hand-some and strong" and so trim, 
My heart swells full- to the brim, 



Sure just the thought of him Thrills me, 
I could gfo on_ fordays, Dwell in, 



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24456 



21 



^ 



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J J J I j> j> J^ J-'.J' 



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Sure just the thoug-ht of him Fills me Full of 
On his dear lov - in' ways, Tell - in' All the 



dreams of those hap - py old 
dear lit - tie tricks that he 



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m 




m 



S 



' 3 * ^ 



S 



^m 



^ 



J> ^i' tt^' TF ^' 



ff it 



days, 
knew, 



When in my eyes he would 
All the dear thing's he would 



g-aze : 
do. 




* 



p p p rp >^' J \^'p p ■''^' ^ 



^^^^ 



ii;^ 



True love I vowed to him, I was so proud of him, My 
Times sure were g-ay wit' him, Had such a way wit' him, My 



old 
old 



Jim. 
Jim. 




i 



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Refrain 



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Tall and cap - ti - va - tin', Broad of shoul - der, 



Like a sol - dier 



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S4466 



22 




^r"^' fi ' ^'^'j' i 'tfj > r 




Fine and fas-ci-na-tin': Thatwasjim, 



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my old Jim, 



Gay and clev - er, 



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^^tl vJ p[7 ^T i'JMJ J tfJ J Mr [T mH' 



* — ^ 



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Glo- ry be! Andhewas ev- er Full of blar-ney From Kil-lar-ney. Sure my head would 




$ 



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r^E/l F M ^^ F T I ^^'^'F F ^'»^'' ^' 



swim. 



When down the block he'd proud-ly stride, His hat cocked on one side! Oh, 



P|J..LJ1''V 




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e^ 



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IT \^. I 

^V'>HF F^tFf F'F I F^T ^ i r ' ■■ • I I I ^ ^ 

Jim! Jim! 'Tis no i-dlewhim:Youwere some man. my Jim! Jim! 



'g^ ^1 f ^ r 






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No. 4. Waltz-Song 



23 



Love's Own Kiss 



'^^g 



Tempo diValse 



f 



33 






ii 



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JT 



Nri/ rrr< ^ 






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i 



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feEi 



Sylvia 



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s. 



1. Feel-ings all un- known, what can they 
^. Pret-ty lit - tie fan - cies come and 




^ 



^ 



^^ 



^^ 



P 



be?_ 
smile, 



Sudden-ly to start 
Like a but-ter - fly 



My poor 
Flut-ter 



heart,, 
by;- 



Like a 
And they 




s. 




2445 6 



24 



1=^ 



me._ 
g-uile: 



Can it be the fra 
Shall I fol-low 



^ 



on 



grant 

o'er 



i 



^ ^ V 



breath of Spring-?, 
mead and field, 



Or the wooing- 



. Pluck-ing- blos-soms 



in: 




2 



T-^F 



? 



^ 



g 



legato 



i2. 



CN 



zz: 



^ 



? 



^ 




pow r . 



Of some flow'r. 
On my way, 



n\ 



That has taug-ht my soul to sing-. 

And to love's al - lure - ments yiela, 



35: 



f5>- 



is: 



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17 

r 



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cresc. 



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i 



J / M J J 



'TTV 



«rt« 



Ah, 
Ah, 



has taug-ht my 
to love's al 



soul to 

lure - ments 




sing-?_ 
3''ield?_ 



i^ 



Some-thing- of 
Some-thing- of 




FTf 



m 






u 



fe* 



i h J J 



rit. 



rzi. 



13Z 



^ 



joy 

mad 



:* 






gtfegE 



or 

ness 



pain, 
vain,- 

=25: 



Like a sun that smiles throug-h rain?_ 

Born of thoug-hts I must re - strain L 



3: 



rit. 



3j 



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f^ 



24456 



35 



J3L 



— While your 



^m 



I ^ d \ f^ d \ ^- 
voice seems call - ing" me, 



-&^ 



Call 



32: 



5 



f 



3 



ing", en - thrall - ing" 



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Try 



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ryy 



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i 



3 



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3 



33 



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IZ2 



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me, 



Your dear eyes be - hold - ing" me, 



Your dear arms en - fold - ing" 



i 



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3 



9- 



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TJJ 



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me 



Your 



lips ca - ress - ing" mine, Press 



ing", pos- sess - mg" 




34456 



26 



No. 5. Finale 



It's Time to Start 



Soloists and Chorus 



F. 



fe 



Allegro 



Florence ^ 

^ 7 J ^" 



£ 



^ y _ ^ 



It's time 



to 



^ 



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^S 



i--a t tj«iy 



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start , We must 



de -part, Or 



F F I ^' ^ ^ ^' 



we shall sure-ly miss the 

3 



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fti^ 



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F. 



Th. 



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train!. 



* 



Thorne 



5E 



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m 



^ 



Poor lit -tie wife! 



I'd g'ive my 




244.')(i 



»7 



Th. 



m 



fe^ 



^s 



^ 



life 



^m 



i 



^ 



Ra-ther than cost you 



pain. 



fe^ 



s 



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Th. 



Come, love, come on! g- 



Nff 



By Jove! He's g-one! 



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teti: 



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5 



Th. 






j^VW''T i^ 



Con -found it, i^ he is back"a-g"ain! 



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te 



SOPRANO 



n 



iPp P ^ P I p F 



ki 



The Ladies 

ALTO 



Naughty man! to so neglect us! 



S 



hi j)T ], | Ji j ^ 



^I'HHegy 



14 



Naughty man! to so neglect us! 



i 



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2 4450 



28 



W" i j I i n h, i .ji i J>r jJ' i fafcjtJuU^ 



i 



Naugh-xyman! to so re-ject us! Not one lit -tie word we ve had to - day from you. 



tefc 



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h 1^ h h I 



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J) i i i I J. i i^ 



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Naugh-ty man! to so re-ject us! Not one lit -tie word we've had to - day from you. 

^2= 



iPl 



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SeS 



r / ' V 



i 



ss 



. Sylvia 



Th. 



^ 



i 




There you 

Adelaide 



are! 



There you 



are! 



t 



ffi 



There 
Thorne 



^ 



3 



^ 



you 



are! 



There you 



are! 



'■''ir^ i- ^ i' P I F p p J' I J> J' J> f; I p I'i' .^ J> 



Real - ly, you must not a - buse me, Real - ly, you must please ex-cuse me! 



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We must say g^ood - bye 



to you!_ 



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i 



i 



^^ 



We must say gfood - bye 



to you! 



J5fe 



B 



^ 



^ 



[? I F J' il' J I i? 



Th. 



# 



I had so much to do, I had so much to do! 



* 



fet 



a 



i 



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t 



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cresc. 



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• J J J^ 



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I"?: S: 



244.56 



29 



s. 



^s 



^ 



g^ood 



bye! 



b'' | j' i .if I jl J^ J^ i> I f) |> K h I h K h ^ 



Th. 



^=!^ 



* » 



Real - ly, you must not a - buse me, Real - ly, you must please ex-cuse me! 



^t=r^^ F V P ^r^p J' J) I Mf F ^ F If 't ^' ^' 



Ver -y well! we won't a - buse him! Ver - y well! we will ex-cuse him! 



j^'l,^ Jl Jjl V J' I J) i i> J , I J^^ jiJ, v ^ 



^SE=5 



^5=* 



Ver - y well! we wont a - buse him! Ver -y well! we will ex-cuse him! 



P 



fe^pS 



1 J J 1 m 



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te 



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^^B 



Time has come to say a - dieul. 



fet 



a 



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^^B 



is 



Th. 



^ 



^ 



g 



^ 



^ 



I had so much to do!_ 



f^^ 



He had so much to do!_ 



^^^^^^ 



Doctors problems mysti - fy-ing, 



I i-'i^ J J I J) i' W. I J tj^ ll ^'i>b J J J ;a j6^ 




He had so much to do!. 



Doctors problems mysti -fy-ing, 



^m 



\>tt^ 



Mizm. 



W 



teS 



^ 



^^ 




^ 




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P 



24456 



30 



J 



^vr^T~^^ ^V> J' \> J F ^' I'T F ^^' F 



Prob-lems ev - er mul - ti - ply -ing! Soon your try - ing Trou-bles will be o - ver; 



tA 1\ J) ^Jv-JH^J-' i' , h Ji LJi i ^ 



^ifc^t±^ 



f 



Prob-lems ev - er mul - ti - ply -ing! Soon your try -ing Trou-bles will be o - ver;. 




te 



Sylvia 



fi$ 



s. 



^ 



All 



your 



trou 




fefe 



ra7Z. 



^ 



P ^ M [i EE^ 



^ ^ 



^ 



£ 



£ 




te 



Now your 
rail. 



bus - y day is end - ed, Soon your work shall be sus 



1, j, I ji ji j, j) I ji J. , jj JM J, J^ Ji ^ 



B$^ 



Now your bus - y day is end - ed, Soon your work shall be sus 




r=^ 



very sloio 



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f 



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^^ 



T I r 



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a 



s. 



bles 



will 



be 



o - ver. 



i^rr^ 



te 



P 



You shall be at 



^^ 



m 



^ 



pend - ed, 



rest in clo - ver. 



^^^1, i i t "~^^J' Ji J' UJ^ I J IJ ^ 



te 



pend-ed, 



You shall be at rest In clo - ver. 



i^'\K n y ^n- 



fe 



w 



f 



ts 



^^ 



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i 



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4 



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cresc. 



244.56 



31 



Moderate Sylvia 



* ? i; P pli'iW ?p ^ j ; |J'W 



S. 



Adelaide 



They speak of Hon-or - what does it mean? 



f iyj J i l iiiiv ^iiiiii.^ 



Rabelais (with men) 



They speak of Hon-or- what does it mean? 



w~r~vjH | ft ^ ^m 



• — m- 



^—^ 



P P F M P p V p IP t^T-T^ 



p M ?p 



^p 



The sacred Code of Hon-or Each step outlines, Each step defines: First 

f^ Moderato 



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jyp St ace. 



S 



-¥ -9 -W 



Sylvia 



^ 



^ 



It is 



^ ir-^ 



1; 



V ^' l ? I P y =2=f 



^ 



^i 



this: 



My card! 



Then this: 



On gTiard! 



If 



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s 



» 



^ ^^F ^ 



j^^g^P 73 



It 



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some 



one. 



1; 



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to pay. 



you hon - or. 



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pS ; 7 T 



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not, 



A shot 



Must sat - is -fy the Code of Hon-or! 



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24456 



32 



Allegro viA^o 



Sylvia 



h } J' J' 



l > ^J> p p 



s. 



Th. 



# 



Thornc 



Your de - part - ure they are wait - ing". 



^ 



g ' P I ' P 



|?=:Z 



It is the neig-hbors 
Allegro vivo 



eel - e - brat -ing". 




^ 



^^£^2 



Our wraps are there. 



Adelaide 



^m 



A. 



Th. 



We'd bet-ter 



-^ ^ J^ > J' 



3EE^ 



£ 



Where are your wraps? 




^^ 



^ 



^ 



V J' ff V 



^ 



Good-bye ! g"ood - bye ! 



r w I r I 



^ 



^ 



^ 



^ 7 — pj^ 



g-Q, per -haps. 



Good-bye! g'ood-bye! 



^^^ 



Th. 



^ 



^ 



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f 



Good -bye! g-ood -bye! Take care of your- 

^ Galop 




244.56 



) s. 



J' J' ^' (? 



See you lat-erl Bon voy - ag^e! 

i J' > 



P ly r I V ^ 



33 



^^ 



Th. 



^^^ 



See you lat-er! Bon voy - ag-e! 

h J' J' I - ^ 



* 



self! I'll see you lat-er! 

Girls SOPRANO, ALTO 



Bon voy - ag-e! 



1 



^ 



Good 



Good 




s. 



A. 



Th. 



i> 7 ff ^^3 



? 



^ 



Good -bye! g'ood -bye! 



|,b ^ J, J^v l^^pjj 



Good-bye! g'ood -bye! 



t 



P 



^ p I P P ' F 



^ 



bye! gt)od - bye! Take care of your - self,. 



J' I Jv J^ J ^ I 



And have a pleas -ant 



P ir ^p 



t 



^ 



^ ^ 



^ 



P 



t* 



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bye! 
TENOR 



good - bye! Take care of your - self,. 



And have a pleas -ant 



p M^ F ^^^^ ^ J, l i'^-yr i r ff4 



feE 



P 



Good - bye ! 
BASS ^ 



good - bye! 



Take care of your -self, have a pleas -ant 



^h rr^ 



l\ iJ^ J^ 



6E5 



P 



gSEEEi 



E 



ike care of 



t=i 



Good - bye ! good - bye I 



Take care of your -self, have a pleas -ant 






^ 



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^^ 



P 






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8445« 



34 



Th. 



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FF ^ If F 



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jour-ney, and have a pleas -ant journey! So bon voyag"e! A pleas -ant jour-ney! 



^ 



i'^'f\i.iii' \ i' M 



f^^ j^ \ii'-- ^ 



i J'v 



f=? 



jour-ney! So bon voy-age! A pleas - ant jour-ney! 



jour-ney, and have a pleas - ant 



^ 



r n F 1^ ^^|T I r [ ?M 1 1 ^ 



E* 



f 



jour - ney, 



have a pleas - ant jour-ney! So bon voy-age! A pleas - ant jour-ney! 



;^ P P^F ip- M M^' ^ ^^ I p- p F^F^^ 



* 



jour-ney, and have a pleas -ant jour-ney! So bon voy-age! A pleas -ant jour-ney! 



^5 



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S; 



Th. 



Au re - voir! 



So bon voyag'e! A pleas- ant jour-ney! Au re 



H=^ ^' ^ i^ ii I i^ J^ r 



^ 



fe 



J . J J • 



P — T" 

So bon voyage! A pleas -ant jour-ney! Au 



Au re - voir! 



re 



^ 



^2 



F H M P [:^ f F 



s 



Au re - voir! 



^^ 



So bon voyage! A pleas -ant jour-ney! Au 



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re 



:^=^ 



P I F" F F 



m 



Au re - voir! 



So bon voyage! A 






pleas - ant jour-ney! Au re 



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mm 



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24456 



35 



Th. 
Mrs 
Th. 



^ 



Mrs. Thome /Ot 



^^ 



w^ 

What 



voir! 



Maids 



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voir! Please tell our mis-tress all is read - y. 



There she is! 



\r~^ 



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t ju^ J i ^m 



Ee 



voir 



ir! 



There she is ! 



r:\ 



^^ 



SS 



2^2 



voir! 



There she is ! 




m 



Mrs. 
Th. 



w 



m 



^ 



M 



^^ 



joy and bliss Can e - qual this, When May - time bids you 




m 



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ri^ 



legato 

m 0- 



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l=t 



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7-^5^ 



Mrs. 
Th. 



? 



«-«- 



play? 



Hap-py hours,. 



Lov-ers bowrs,. 



Beck - on 



i 









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^^^^ 



^ 



^ 



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24456 



36 



Mrs 
Th. 



i 



^ 



US 



^ 



M 



t 



^ 



\ 



:* 






g 



-^^ 



- way!. 



s 



^;p= 



So why be sad! The world is 



^ 



^"^ 



-J ' ^ W ' y i ' 



So why be sad! The world is 



^ 



^ 



1 



^ 



So why be sad! The world is 



So wliy be sad! The world is 



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Mrs. 
Th. 



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r>i ^ 



i r I r i 



grlad, And wants her chil - dren g"ay,- 



We should not miss One 




fe = ^ 



^ 



« a » 



% 



glad, And wants her chil - dren gay, 



We should not miss One 



i: 



V' \ k f lb 



r 'T r 

glad, And wants her 



\" I r r 



if I f ^ r 



chil . dren &ay,_ 



We should not miss One 



^^S 



^ 



^ 



r ^ r If 



rJ m 



glad, And wants her chil - dren gay,. 



We should not miss One 



1 



^' 1,1' I ^ ^ 



izs: 



g^ 



^ 



^ 



32= 



33 = 



EEEE 



1 ? ^ g 



^ 



M 

m 



i 






244r,r> 



37 



Mrs. 
Th. 




tf \ [ *^ 



^ 



19-^ 



^=^ 



sin - g-le kiss, 



OhL 



We should not 



i~H I M I I I M M ^ 



sin - gle kiss That Spring- 

fl' I 'I If l|| I I 



hat Spring - time bids us 



^ 



us pay,- 



We should not 



/r i r ^ j J i r.^ ^ 



sin - gle kiss That Spring - time bids us pay, Spring-time bids us pay, We 

m , . — r-p — i»-W 



^):|t> r ^ r I r ^ 



^ r I r ^ r ^^ 



^ 



sin - gle kiss That Spring - time bids us pay, Spring-time bids us pay, 



We 



^ 



I 



m 



=g 



i 



p 



s 



lip 



m 



■tfi ■•• 



i 



-G — 



F 



^ 



^^ 



^ 



^ 



Mrs. 

Th. 



b" I i 



^ 



P^ ^^ 



^ -P- 



t 



miss One sin - g^le kiss That Springr-time bids us pay!. 



^ . ^ e I j g 



i 



^-5- 



ip; 



miss One sin - gle kiss That Spring-time bids us payL 

15^ 



r r I ^ ^ J I r r r I r ^ i r 



^ 



should not miss 



^=^=^ 



One sin -gle kiss Spring-time bids us P^y'- 



f r r I ^g^j 



^ 



sc 



1 



^ 



^ 



^m 



^i^^f=r 



should not miss 



One sin -gle kiss Spring-time bids us pay!. 



rs 



^4^^ 



1 



a I 



f 



# 






s^ 



i 



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^ 



1 



B± 






5C 






m 



84456 



38 



Mrs. 
Th. 



Th. 




^ 



i .y j\ J^ J^ 1^ 



What do you mean? 



Thome 



12=11 



^a J y J 



J' J^ J' ff I ft M 



P? 



/ rj' IJ' Ji.^^^ 



I have to dis-ap- point you. 



A chance of a life -time: 



itei 



£3: 



5f 



^^mm 



f? 



T 



^ 



i> _K7 



#5 



P 



Th. 
Mrs. 
Th. 



Th. 
D. 



M 



g 



m 



Moderate Thome and Mrs. Thome 



1=1 



mil- lion, 



f''' V^p M °'Vi¥^j,j,, i^yjilj , J'v Ji | ^ i J - 1) ^ 



lis - ten! 



p^^m ^ 



■'fi 



9?=Tlf 



tf 



^^ 



SM 



pa-tient worth a mil- lion, At Beauville,wires to 



Moderate 



i^i i'Ji 




staccato 



s 



-d — ■> 






^^ 



■ K 



Th. 

Mrs. 

Th. 



t 



m 



«* 



w 



^ 



pavil-lion, 



fcfc 



''■ Ji 1 ,1 J) J^^J'vjtJ'ilJ'' F ^ I yp p p p ^ 



say: 



"Im here at the pa - vil - lion, 



A-bout to pass a - 



i^ " \j.nTr^ i 



'^-V g,i.^^ 



5E^ 



»^ 




:i=qi^ 



f^ 



e 






^ 



34456 



39 



Th. 
Mrs. 
Th. 



D. 



^ 



Allegro animato 



P^ 



pass a -way I 



P^ .M ''■ ii ll J-' J' J' p l > 1^ j, IJiJ^ ji J^ J, ^ 



way- 



^ 



U. 



To an-y man who saves me, One himdred thousand francs I'll 
Allegro animato 



^ 



^ 



f 



f5 



* irr 



^: ^^ ^ 



^m 



iEM 



f 



^ 



*s 



i, i j ^jj' p IP FrJ' i rfl p ^ ff -^r^|^^ i i 



^ 



M M r 



pay! To an-y man who saves me, One hundred thousand francs I'll 

Chorus I rit. 



pay!" 



■§"'>' i - i jiiMt' iinui iii\i 



To an-y 



^ 



«* 



an-y man who saves him, One hundred thousand francs he'll 

rit. 



^ 



pay! 



ti-y man who saves him, One hundred thousand francs he'll pay! 



^ y h 



■^^¥'^ V p ip PF hv Frf^j^ ^ ji P p i ter ^ 1 1 



To an-y man who saves him, One hundred thousand francs he'll pay! 






#— F 



* ^ f^ 



^ 



4— f 





* ■ ■ 



molto rit. 



m 



^ 



Mrs. Thorne 



Tempo diValse 




3i4r>fi 



40 



Mrs. 
Th. 



m 



lone. 



'^^ 



^ 



-is>-=- 



f m^ 



i 



All a - lone!. 



Oh my own!. 



Is it 



^s 



t=A 






^E 



? i 



E 



> # 



-Hrif-f 



* ft 



!?^ 



J 



i 



i J 



•t9- — 



^ 



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* 



1= 



-5^ 



so?_ 



rit. 



Mr.s 
Th. 



^^=^fe^ 



r If I F i r 



fc=j£ 



^ 



I must g-o, dear!_ Tell me no, dearl_ Ah, say no, dear! 



i^ 



i 



S 



35 



j^ • r • f 



^=Pf 



* 



^ 



^ 
^ 



^^9 ^ 



M^ 



^ 



^ 



rit. 



^ 



P 



^ 



^ 



Mrs. 
Th. 



Th. 



fe^ 



;^3 




m 



AhL 



Dr. Thome 



AhL 



lez: 



Chorus 
1 u SOPRANO. ALTO 



■"* 

All a 



lone! 



All a - lone! 



_ All a 



& 



t 



lone!. 



■=f 



All a 



lone! 



TENOR 



S 



? 



32 



All a - lone! 



All a 



lone! 



S 



BASS 



^^ 



^ 



All a - lone! 



AU a 



. -"^^ — ^1' — ■ — 



^^ 



IS 



lone! 



i=ft 



♦ # 



X 



24456 



41 



Mrs. 
Th. 



Th. 



^ 



f r r If ' r H^ f r r I ^ 



«- 



£ 



AhL 



I must gfo, dear!- Sad the hour, 



sad the hour. 



^ 



■0 r-f^ 



^E^ 



■0 — 0- 



^ 



All a - loneyoumust g-o, dear!_ Sad the hour,- 



L 



^ 



i 



\ 



sad the hour. 



m m 



lone 



you must go, dear!_ Sad the hour,. 



sad the hour. 



PtT-^^^^ 



■0 — 1-0 



^ 



1S>-^ 



^ 



All a - loneyoumust go, dear!_ Sad the hour,. 



^ 







V 



sad the hour. 



^m 



Y 



=fc 



All a - loneyoumust go, dear!_ Sad the hour,. 



sad the hour. 




k 



m 



% 



te 1^ 



g. 



:s: 



cresc. 



S 



i 



i 



^ 



^ 



M 



i^=ll 



I 



I 



fc:?=4 



molto rit. 



ns 



Allegro 



r i| i i *a r '^ 



Mrs. 
Th. 



Th. 



1 



^ 



4f 



Till I meet you, my love, my 
molto rit. /T\ 



own! 



: ' p I [• ^ ^ I p r I H*^ p j 



ftH»^ 



Till I meet you, my love, my 



own! 



molto rit. 



P 



i 



* 



s 



Till they meet with their love, a 
. molto rit. ^ts 



^ 



0- 



TH 



lone. 



\*l r i 



Till they meet with their love, a 
^nolto rit.^ rT\ 



lone. 



S 



r 



i 



^ 



Till they meet with their love, a - 



^ ^ 



lone. 



m 



8 



molto rit. 



^ 



i^=l 



^^=mz 



r=^2 



^ AUegro 

^ nnif 



-9- 



^pP 



m 



^ 



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^ 



5^^ 



W 



f^ 



^ 



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244.56 



is 



fr^ Jl^ 



F=» 



>)=» .i-jrf 



3 



^ f 






f 



he^ 



^^ 

^ 



^^ 



^ 



: %— ^ 



P' y ^' y 



32: 



^S 



jy^T^ 



•# ■»• 






f^ 



-• •_ 



-^- 



^^^ 



i 



S'==?« 



m 



iif^'- 



■0- — (^ 



m 



cresc. 



^ 



^ 






animato 



ff 



zaz 



^ 



^m 



-^ 



^- 



w^ 



Sylvia 



y ff 1 ^ y E y g F=ff 



£ 



^^i 



^ 



Good-bye! g-ood-bye!Take 



Adelaide 



M) ''^^^ I ^ J) ^^ 



»r — — ^ 

g-ood-bye!Take 



4: 



Good-bye! 



Thome 



Th. 



ji -t' ^ h J^ p 



L 



^ 



Chorus 



Good-bye! g^ood-bye! 



SOPRANO. ALTO 



^ 



^^^^ 



^ 



$ 



* 



Good-bye! good-bye! Take 



TENOR 



y K i^ y I y ^ 



^ 



^ 



Good-bye! good-bye! 



BASS 



P y I y ft ^ 



^ TM y F 



r 



Good-bye! good-bye! 



i 



^ 



j^^ 



=zz 



IS?: 



22 




^ > ^ 



Marcia 



sflEfe 



^ 



cresc. 



molto rit. 



^^^3E 



.^ 






24456 



43 



^ 



A. 



Th. 



m 



=^ 



care of your - self! 



^ 



^ 



1 11 see you 



^^Y=^=-% 



^ 



care of your - self! 



I'U 



P^ 



lat - er! 



;■ N' F p P 



1 



see you lat - er! 



^2 



Take care of your- self! I'll see you lat - er! 



i 



• ■ 



t 



]> I h j^ 



p 



:£ 



^ 



r^F^^ 



? 



care of your - self! 



f^r g 



f 



111 see you lat - er, see you lat - eri 



^ ^ j) I ^ ^ 



^ 



^^^ 



^2 



£ 



i 



r 



S^ 



Take care of your - self! 1 11 

ttff=fMt 



P^^ 



see you lat - er! 

JUL 1^ 



^ 



Take care of your - self! I'll 



see you lat - erI 




# 



y 



^ 




Ah! 



^ 



5 



V P P P I P P V ^ 



Good-bye! 



g-ood-bye! Take care of your 



F r 1^ F 



m — P- 



^l 



J—J-J— i 



Th. 



i 



fc* 



Bon voy 



m 



$ 



Bon voy - 

it . 



^ 



Bon voy 



^ 



^ 



ir 



24436 



^ 



Good-bye! 



g-ood-byelTake care of your 



^5 



ag-e! 



f 



i 1 i 



Good-bye! gfood-bye! 



Take 



I 



P 



■ m 



mm 



age!. 



Good - bye! good - bye! Take care of your - 



^ 



^5 



^5 



Bon voy - - agel^ 



^ 



Good-bye! 



^ 



/ y Ji 



good-ljye! 



Take 



=;t 



age!. 



? 



^ 



Good-bye! 



good-bye! 



P 7 I / 



^ 



Take 



s= 



t 



3: 



.^ 41 Jt.' 



-• — 9- 



t 



^ 






44 



s. 



^ 



self! 



*^ 



Th 



t 



self! 



Ah!. 



Ah!. 



* 



g' 



? 



p F ip- M P I J' > 



Ah!. 



Ah!. 



^^EE 



S 



:^£ 



care of your self! Have a pleas -ant jour - ney, and have a pleas - ant 



L 



^ 



i- \ i: J^'j^' P 1^^ ^- ■- ^'' I 'I J'' /^ P 



f 



And have a pleas- ant jour- ney, and have a pleas- ant 



self 



^ 



f' j' T J^ IP P P P 



ii( f» 0- 



^ 



^ 



^^^2 



care of your- self! Have a pleas- ant jour- ney, and have a pleas- ant 



^^ 



m m 



^2 



^ 



r M F 



i 



^^=F= g 



^ 



care of your- self! Have a pleas- ant jour - ney, and have a pleas - ant 



E 




i^^ 



^ 



^ 



i 



■* r 



^>-jj J 3 



P- i t r <^ 



p=f= 



s 



F^^^ 



^ 



i 



P' P p P I p P " 



pt 



s. 



A. 



Th. 



^ 



Bon voy - ag-e! A pleas - ant jour - ney! Au re 



h J' I J^ 



^ 



)>■ ^ J^ H 



^ 



^ 



* 



Bon voy - ag-e! A pleas - ant jour - ney! Au re - 



^ 



ff m 



p I? ^ p M' ^' I' I' I F P P 



jour - ney! So 



'J? tl i) J) 



» 



* 



bon voy - ag"e! A 



pleas- Jint jour- ney! Au re 



t 



J I M P P 



t 



jour - ney! So bon voy - age! A pleas - ant jour - ney! Au 



re 



E 



^ 



P P ^ P I g 

our - ney! So bon 



i=i 



^^ 



jour - ney! 



bon voy - age! A pleas - ant jour - ney! Au 



re 



'y-9 p p 



p r c i T t e 



t 



p- p p "I' 1^ 



jour - ney! So bon voy- age! A pleas- ant jour - ney! Au 



re 



t 



l=i 



i 




# 
^ 



1 



*J: H L - 



^^ 



^EE^ 



24456 



fc:^ 



voir! 



voir! 



Th. 



voir! 



voir 



ir! 



^ 



voir! 



4=33 



P 



^ p I p- f! F r I P p i' ^ 1 ^ 

c^ lion -ifnv-ao-oi 'A nipas-ant iour-nev! Av 



± 



So bon voy-ag-e! A pleas -ant jour-ney! Au 

So bon voy-ag-e! A pleas -aht jour-ney 



m i p.ff i t_ p I ff If — 



voir! So 



o bon voy - age! A pi 



eas - ant jour - ney! 



P I P' P ^ ^ I [^ P P ^ 

3o bon voy-affe! A pleas -ant jour - ney! 



m 



^=^ 



^^ 



i 



# ft 



^2 



r 



^ 

^ 



re 



45 



^ 



-ney! Au 



re 



;t 



So bon voy-ag-e! A pleas -ant jour-ney! Au 



re 



Au 



re 



y=^= 



Au 



re 



^=^=^ 



So bon voy - age! A pleas - ant jour - ney! Au 

i~3 r-} 




Th. 




S445H 



46 



Sylvia 



m 



^ 



^^G^ 



m 



-JSl 



^ 



D. 



^ 



Your 
Dickjp 



dear voice call - ing" me, 



Call 



ing-, en - thrall - ing- 

-(9 



^g 



Your 



dear voice call - ing" me, 



::all- 



ing-, en - thrall - ing" 



# 



^ 



i 



3 



^ 



^ 



Z' 



^ f - 



W V o - 



\ F F 



^ f f 



^* 



3 



^ f f 



^f f 



3: 



J f f 



nsT 



3 



* ^\\ J. I J ^j-p 



^ 



X 



^ 



me, 



Your dear eyes be - hold - ing- me, 



P^ 



S 



r f i f 



Your dear arms en - fold - ing- 

(2 



fei 



me, Your dear eyes be - hold - ing- me. 



Your dear arms en -fold - ing- 






T^W 



S 



— (5 



2 



-G 



t 



«-F 



I^ 



J^ 



^m 



f 



^ 



1^ 



^ 



^ 



^ 



^^ 



15^ 



^^ 



me, Your lips ca - ress - ing- mine, Press 

42-! ^-«-! 



|9^ 



zz: 



iS 



me , Your 



mg, pos - sess-ing mine, 
42 « — .4*^^, m .•p' 



lips ca - ress - ing- mine. Press 



ing-, pos - sess- ing- mine, 






M 



^ 



^^ 



^^ 



-j ^ 



ft« 



ttJ^' '» 



i 



a 



S^F 



^ 



cr-esc. 



2^ 



i 



^ 



ii 



fOroarlly 



mil. 



s. 



f-is^ 



f^=^ 



r^ ^=^ 



D. 



a 



Burn - ing- with bliss: This must be Loves Own 

,fyLb ro adly rail. 

42-: J142 m ,-f^ ^ ^^ ^^-1 , f^' 



Kiss. 



^ 



i 



EEi 



Burn - ing- with bliss: This must be Loves Own 






m 



^^ 



iU 



^ 



^ 



i 



e 



^^ 



i 



p=ft* 



^' broadly 






24456 




41 



s. 



*J Vr.li 



Sylviaf^and all principals) 



Your dear voice call-ing- me, 
Dick 



o 



Your dear voice call - ing- me , 

, A , SOPRANO 



-iSM. 



-&^ 



^^^ 



Call 



^ 



ingr, en-thraU-ing- me, You r dear 



1S>- 



i 



^ rJ. 



g W 



i 



Call - ing-, en-thrall -ing- me, Your dear 



Your 
ALTO 



A ji ALTU 



dear voice call -ing me, 



Call 



P 



ing, en- thrall-ing me, Your dear 



¥ 



=^^ 



^^^^ 



^ 



i 



Your 
TENOR 




dear voice call -ing me. 



Call 



ing, en - thrall-ing me, 



^^^ 



Your dear 



^^&^ 



«M- 



za. 



Your dear voice call - ing me, 

BASS 



Call 



P 



-az 



isz 



ing, en - thraU-ing me. Your dear 

tS» ■ — I — ^ m ■' . f S' r— lS>- 



g 



Your dear voice call - ing me, 



Call 



ing, en - thrall -ing me, Your dear 



^ 



\ 



Iff 



4 



m 



^ 



^fp 



n 



^pf 



s 



^fp 



^E 



^ff 



r--^ 



^ 



V # jr 



I 



^ 



^ 



S=^^ 



::e: 



3S 



-<5-^ 



IS 



■«•• 



■©^* 




si 



eyes be -hold -ing- me. Your dear arms en -fold -ing- me, 



Ah!- 



i»- iS- 



is>-^ 



t9-^ 



eyes be - hold - ing- me , 



Your dear arms en - fold - ing- me , 



Ah!- 



* 



;;=p 



P 



S^ 



eyes be - hold - ing me, 



^ 



Your dear arms en - fold -ing me, Your lips ca- 



$ 



1 



^ 



^ 



-<SM- 



eyes be - hold - ing me, 



f 



^ 



^ 



Your dear arms en-fo'd-ing me, 



Your 



lips ca- 



^ 



P 



^^ 



eyes be - hold - ing me 



r n\' . 



zz= 



Your dear arms en- fold - ing me 



Your 



lips ca- 



ff: 



^-^ 



eyes be - hold - ing me, 



Your dear arms en - fold - ing me. Your 



lips ca • 




I 24456 




Burn 



ing- with bliss: 



r I r' I 



Burn 



■G^ 



ing- with bliss: 



Fess - \\\^ mine, Press 



ing-, pos - sess-inc: mine, Burn 



m^ with bliss: 



*! 



-^^ 



zrt 



^ 



i 



ress - inff mine, Press 



ing, pos - sess - ing- mine, Burn 



ing with bliss: 



tS^ 



^ 



ts>-^ 



s 



ress -ing mine. Press 



ing, pos - sess-ing mine, Burn 



^^fT J^^-^ 



ress -ing mine, Press 



f^^f^ 



ing with bliss : 



ing, pos - sess-ing mine. Burn 



ing with bliss: 



( 




acccl . 



XT TV 



j>jf broadly 



/■«//. 



D. 



^^ 



• h >l,ff: 



I 



E 



This must be Love's Own 
ff:::^broudly ''""• 



^ 



Kiss!- 



acecl. 



i 



This must be Love's Own 

broadly fall- 



m 



Kiss!. 
acccl. 



^^ 



This must be Loves Own 

jy^brodly ^ rail. 






Kiss!_ 
acccl. 



e 



This must be Love's Own 



r an. 



KissL 



acccl. 



This must be Love's Own 

jy^broqdly ^^ rail 



^ 



Kiss!. 
acccl. 



This must be Love's Own 



Kiss! . 



H 



^ 



^ 



^ 




2445(5 



49 



ACTH 
No. 6. Opening Chorus 

Guests and Waiters 



Tempo di Marcia 







JT 



^ 



^^M 




1 



r r R 



I 



^ .^ 



f bg 



s 



lEEttEtEt 



i^-. 




^^ 



t=j^ 



P 




^^^ 



^fc# 



S^B 



O^^ 



gJE^ 








1^ 



m^ 



cresc. 



i^=F 



li l iT^ 



5^ 






u 



Guests 

; /i I SOPRANO 



i 



^ 



V J) I i) J^ JW) I j^ P ^ 



ALTO 



I want to give my or-der! 



^ 



3^5 



^^^^^^ 



1 

I want to give my or-der! 



TENOR 



^ 



f 



M^i^ 



= v 



BASS 



^ 



I want to give my 



fe 



^^ 



E 




r£^ 



^ 



I want to give my 



U 



j i^A ii 




=F 



^■^CB" 



S^ 



PS' 






I if i 



« — #-# 



■^ 



JP store. 



m 



^ 



w 



^ 



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50 



^ 



p j) j) j) I p P V f ^1 M p V ^ 



Hur- ry!Hur-ry, wait - er! Al-lez vite, gar-con! 



^ 



V J 



^ 



^^^^=^^ 



^^ 



Hur- ry!Hur-ry, wait-er! Al-lez vite,gar-gon! 



^" J p ' i f-iip p i p p a 



£ 



Al-lez vite.g-a 



^ 



or-der! 



Hur - ry, wait - er! 



lez vite, gar-con! 



g^g i P ^ 



■> I." p M I * M 



^ 



g^ 



or- der! 



i 



1 



Hur - ry, wait - er! 



i 



^ 



■ t r3 



^ 



Al-lez vite, gar-con! 



t= ^ 



^ 




#=^^ 



ffi"^ 



fe=i| 



S 



^ 



full 



1 « I 



^Y= 



^ 



^ 



LJ Ly 



I.'' i J' B -I' B | l -f' P ? 



P.P P..,P I 



TO give lin 



want to give my or - der! 



Ive been wait-ing 



!»" |J' ff i 



iiJ^^T^T^ 



to give m^ 



# 



want to give my or - der! 



I've been wait-ing 



K 1 1 , J' U J> . llJi P { 



P P P P 



i 



to give m\ 



S 



I want to give my or - der! 



I've been wait-ing 



prp 'P p P r ^s;^ 



fV f P 



\ 



I want to give my or - der! 



I've been wait-ing 



^^i^m m 




34456 



i l J I J p p p 



There are wait-ers here ga - lore, 




UNIVERSITY OF JUUi^i.^ 



51 



But 



£^^5 



«' ■ 



^5 



There are wait-ers here ga - lore, 



But 



^^= ^ 




ev -. er see such service? There are wait-ers here ga - lore. 



But 



^ 



service? Did you ev - er see such service? 



There are wait-ers here ga - lore, 



But 




^ iJ 



-^ C^ 



feEi 



Ive been wait -ing half a year! 



1' .(' iiJ' J' 



^ 



I've been wait- ing half a year! 

J) J' J' JJuJ' J' J I 



4^'' ^ ]^ 



I've beenwait-ing half a year! 



ser-vice? 



P P P P i p^ 



I've been wait-ing half a year! 



I've beenwait-ing half a year! 



.v=>." p p » If P p P-^^ ^ 

I ser-vice? Ive been wait-ing half a yea 



I've been wait-ing half a year! 

J p p f I p P r I 




-J 



feSsi 



U: ] ^ 



m 



it 



^^ 



^ife 



^^ 



^ 



I've been wait-ing half a year! 



fts* 



i 



tf 



p 



\>rz 



h ti>4 



84456 



52 



t 



■fi i* •> ^\ p p p 



' I r 

I want to give my or - der! Gar-gon! Gar- con! come here! 



^^m 



m 



s 



iv^) J ji I J' ^^ 



m 



E 



I want to give my or - der! Gar-gon! Gar-gon! come here! 



!> i' " ■!' I p M p I P 



E 



S 



^ 



I want to give my or - der! Gar - gon! 



come here! 



m 



r P V P i-M P P I ^ ^ 



s 



I want to give my or - der! Gar - gon! 



come here! 




No, ma- dame, eet ees oc - cu 



pee! 



No, ma-dame, eet ees oc - cu - pe'e! 



1^ J i V . J J I J ^ J^ 



f i jl J^ 7 i JM i^ J^ 



No, ma-dame, eet ees oc - cu -pee! No, ma-dame, eet ees oc - cu - pe'e! 



i. j' J' i' V II J J I p p r 1 1^ J J' ^ ji J I p P I 



No, ma-dame, eet ees oc - cu - pee! No, ma-dame, eet ees 



m 



g p p , ir-f^ ^ 



f^^ 



oc - cu - pee! 



^^ 



BE£i 



No, ma-dame, eet ees oc - cu -pee! No, ma-dame, eet ees oc - cu - pee! 



i > i % i U 



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ill 



ij_r «T 



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Si 



Si 



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I'm so sor-ry, but you must go a -way! Ma-dame, eet ees re' - ser-vee 



p nJ I iJ' ^^ 



h JO^ n J' > ni Jl J' ^' ^ 



^ 



-m * — 

I'm so sor-ry, but j'ou must 



go a -way! Ma-dame, eet ees re' - ser-vee! 



p r p I r r i p r p n J i^ ^ it j J i i^^ 



I'm so sor-ry, but you must go a-way! Ma-dame, eet ees re - ser-ve'e! 



S 



m M m 



p p p n F P ^ >P F I ^ M 



^^ 



I'm so sor-ry, but vou must go a-way! Ma-dame, eet ees re - ser-vee! 




244r>r> 



53 



J 






l'''lr i' J) t || Jl Jl I P P (1 V I P- |7-pLp^ ^ 



P 



^ 



Ma - dame, eet ees re - ser - ve'e! 



Choose a ta-ble o-ver there, An-y-where 



5=1 



P^ 



Ma - dame, eet ees re' - ser - ve'e! 



Choose a ta-ble o-ver there, An-y-where 



^^^ 



J JM J' ji ^ 



Ma - dame, ett ees re' - ser - ve'e! 



loose a ta - ble o -ver 



B^ 



Choose 



-ver there, An - y-where 



^ r^^T-^-^-^^F F I ^] ^' -^J^"^~TjrXp p I p P r ^ ^ 



Ma - dame, eet ees re - ser - ve'e! 



Choose a ta-ble o -ver there, An-y-where 





o - ver there! 



At this one you 



can not s tay! See, he's re. ser - vee. 



For zee 




- ver there! 



At this one j^ou 
rit. 



ca nnot s tay! See, he s re- ser -vee 



For zee 



^ 



At this one you 
rit. 



cannot stay! See, hes re-ser - vee. 



S^^>=i 



^-g^-M 




fe£ 



a tempe r 



S 



^i 



^ 



- ver there! At this one you 



cannot stay! See, hes re-ser - ve'e. 



For zee 




ffi 



s 



^ 



s 



reech A - me - ri 



caine . 



f 



^ 



^ 



Mon DieUjIm told. 

rj> J) i^ 



m^. 



Shes made of gold;. 



'T^^ 



^^ 



reech A - me - ri 



caine . 



MonDieu,I'm told. 



She's made of gold; 



ri - caine MonDieu.Im told She's made of gi 



reech A - me' - ri - caine. 



^ 



W 



^ 



m 



i 



reech A - me - ri - caine. 



^^^ 



MonDieu.Im told. 



is=p? 



Shes made of gold;. 



Horn s 



m* 




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^=^ 



m 



^m 



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54 



h h 7 J^ ff 



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W 



P 



Ev -Vy ser - vant , maid or 



man, . 



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Can re -cog - nize 



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W ■ ff ~ — ■ — — — ^ — 

1_ Ev-ry ser - vant, maid or 



m 



man. 



E 



Can re -cog - nize. 



fi •> ^' p 



P-M-? 



^ Kv - rv 



Ev-ry ser - vant, 



maid or 



man, 



Can re -cog - nize 



rrrt 



Ev-Vy ser - vant, maid or 



man, 



Can re - cog - nize , 



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E 



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tftJ 



^f-— 



( 



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fe 



tJ 



tJ 



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m 





24456 



4 p' g p 



P" B P 



wan! Her bill she has no time to scan, Zis reech 



f 



p P. p I r 



A-me-ri - caine!- 



VV Ji. J i' i' I i'- Ji J' i> 



^S 



^ 



wan! Her bill she has no time to scan, Zis reech. 



A-me-ri - caine!. 



f 



p-p PP i r 



i-"i. p' p p 



P' P P p i p ^ 

las no time to scan, Zis 



wan! Her biU she has no time to scan, Zis reech 



•HK P' F P MP- M P 



A-me-ri - caine !- 

, n 



6^» 



wan! Her bill she has no time to scan, Zis reech. 



A-me-ri - caine!- 



P 



% 



^m 



m 



^e 



^m 



13 



P 



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ip 



ts ^ 



u^ 



t-r 




Pe 



1 



M^U 



m 



^ 



^ 



Voila ma - dame!_ 



Voi - la ma - dame! 



Eet ees 



S 



^ 



^ 



ip 



P^ 



P^=^ 



^ 



Voila ma 



dame!_ 



Voi - la ma - dame! 



Eet ees 



P^ I ^'- J J' ^ 



^^ 



Voi - ll 



Voila ma - dame! 

r2 ^ 



ma - dame! 



Voi - la ma - dame! 



^ 



■0- '-^ 



P Is P P 



^^ 



^^ 



Voila ma - dame! Vbi-lik ma 



dame! 



Voi - la ma - dame! 



i 



^m 



u 



^m 



^ 



rr 



s 



^ ns 



ft 



« ■ - ■ r . 1 



i^ 



a 



■=E 



i-i- ■!'■ >Ji J' J' ^ 



p P P I r- 



^ 



^ ^^ 



^ 



time to make our na-tion-al sa - laam 



<■''!■ -i'- . h J' . N ^ 



^^^nr 



We must scrape and 



^^ 



^ 



=( 



* 



time to make our na-tion-al sa - laam; 



-Li, I J) }>^n I J'- i J> 



We must scrape and 



m^ 



^m 



^^ 



p 



p^ 



^ 



Eet ees time to make our na-tion-al sa - laam; 



??i=^ 



^ i p P P Ur I. V ^- 



i 



We must scrape and 



P P P P 



£ 



Eet ees time to make our na-tion-al sa -laam; 



We must scrape and 




S 



rm 



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fe 



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- f Lf 



1 J> I J. Jl H^ 



l |^' p I P P ^ 



Our com- pli-ments, and ask for gold - en 



bow, And po - lite - ly vow Uur com- pu-menis, ana asK tor gom - t-v. 

4 A r J) -^f^ r I r ^ ^' i j>. J' ^i' p i p p p f 

bow, And po - lite - ly vow Our com -pli-ments, and ask for gold - ei; 



a 



m 



^5 



^ 



vow 

2= 



Our com - pli-ments, and ask for gold - en 



^ 



VTr~. ^^^^ 



w m 



bow, 



And po - lite - iy vow 



Our com -pli-ments, and 



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m 



P-P g p 



^ 



i 



^f^ 



bow, 



And po-lite - ly vow 



Our com - pli-ments, and 



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# 



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i 



? 



( 



^m 



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^H 



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P' F P^p 



F=^=g = ^ 



? 



^ 



2= 



balm . 



Voi -la ma - dame!_ 



Voi-lli ma - dame!. 



Eet ees 



^m- 



^ 



^ 



^^ 



& 



i 



E 



balm. 



Vcii -lu ma - dame!. 



Voi -lii ma - dumeT 



Et't ees 



S 



^^iS 



ILJJlJlU 



' p- F p p I r 



ask for golden balm. 



Voi -la ma-dame! 



Voi -la ma -dame! 



.yt^ i. p-jHM^ 



fP^ 



•'• p P P 



ask for golden balm. 



Voi -la ma -dame! 



Voi -la ma-dame! 



i 



^^^^g-j 



I 



^S 



P 



^ 



^3; 



f 



^ 



^^ 



^m 



f^ 



j^ru 



;s=p^ 



r; ^ 



r 



I b'l, Ji ^ Ji J> Jl^l. ^ p -f^-t^ 



p I p' p ^p p 



^ 



time to rub our mer - ce - na - ry palm,. 



A i*- Ji J' i' i^ 



And light and gai - ly 



^ 



^ 



=1^ 



time to rub our mer - ce -na-ry palm, 



W^ 



KuJlAA 



And light and gai - ly 



^^ 



^ 



? 



^ 



:5=:;i 



^2 



=^ 



Eet ees time to rub our mer - ce -na -ry palm. 



■^-^'■i. i P-ip - l p P P P I IT--^ ^ 



i; 



And light and gai - ly 



^ 



^' P P P 



Eet ees time to rub our mer -ce- na-ry palm, 



And light and gai - ly 




£E 



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4^>' i ' r' p »r n i 



fr ff p P i r^3rf # 



m 




sing our dai - ly Psalm Voi - la, voi - la 



^^^ 



a 



^ 



ma - dame!. 



i 



sing our dai- ly Psalm. Voi - la, voi- la. 






ma - dameL 

^ 



^ 



sing our dai - ly Psalm 



Voi -la. voi - la. 



ma - dame!. 




i 



Guests 



n \ 1 J) 



g 



^ 



w 



m 



i> i -I 



want to give my or -dor! 

m 



Hur- ry! Hur- ry, 



£ 



^^ 



E 



^ 



I want to give my or-der! 



S 



^ 



^ 



? 



Hur- ry! Hur- ry, 

h i' J^ J' I J^ P ^ U 



^ 



^ 



1 want to give my or-der! 
i 7P IP 1^^ 



^ 



Hur - rv. 



') Pi a 



I want to give my or-der! 



m 



# — f» 



^ 



i* 



1 









r=i=f 



J: 



Hur - ry, 



m^ 



s 



* 1* 



ii^=^ 



— ^3- 



i II 



^ 



^ 



^ 



£J-£J"^ 





wait-er! Al-lez vite, gar-gon! 



I want to give my or-der! 



wait-er! Al -lez vite, gar-pon! 



I want to give my or-der! 




244r,(; 



58 



^ 



^ 



I've been wait - ing half a year! 



1^ a J> J) I hJ^ J^ J^^ S 



^ 



I've been wait - ing half a year! 






want to give my or - der! 

k 



Ive been wait -ing half a year! 



') ^l> 'p 7 p P IT P 



^A 



& 



p \ V ^P 7 



\ 



want to give my or - der! 



I've been wait - ing half a year! 



m 




i?-^i^ . ppfp ,PP f 




^^ 



« — » 



^m 



t 



!>« * 



§; 





^ 



^ 



^ 



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^ 



» • I a -7l^» 



^ 



1^'' p °i' ^ p 



^ 



i 



Gar - con! come here! 



1 



come 



here! 



Gar - con! come here! 



come 



here! 



^ 



^ 



E 



^ Ji I P ^'P T 



^p I P P ^ ^ ^ 

juch ser -vice? Did voi 



Gar - con! come here! 



55P^ 



^ 



1 



* 



Did you ev - er see such ser 



^m 



ff M P P P 



£ 



Gar - gon! come here! 



Did you ev - er see such 



i 




ser -vice? 



Did j'ou 



:3r 



^BeUs4 



^ 



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^ 



^ i» 



^ 



^ 



»~? 



^:=3 



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B il ^ 



^ 



^ J Ip P P ^^ 



^ 



There are wait-ers here ga - lore, 



But no one knows what 



^^^^^^^^^ 



^ j^ I J ' J' J' ^ 



There are wait-ers here ga - lore, 



But no one knows what 



^ '■'• P 'ip p J' I p p ^ J J I J Ji J) J 1 .1 ^ J) I p p^ ^ 



ev - er see such ser-vice? There are wait-ers here ga - lore, 



^ 



P \ P B I F P 



But no one knows what 



P n p r 



^ P P I P P P : 



^ 



E 



There are wait-ers here ga - lore, 




But no one knows what 



r"73 1 F >^^< 



^ 



JT^p n^f- 



r r 



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p 



s 



£ 



^ 



i 



i 



59 



# 



for. 



Come here!- 



I 



for. 



Come here! 



^ 



^ 



t] J If J 



J^iV JllillJ^ ^ 



^^ 



Did you e\ 



E 



=^ 



for. 



id 3'ou ev - er see such ser-vice? Did you ev - er see such ser-vice? 




fi p p Frrr p r I ■^' -^'i' ^' ^' 



E 



h i' » J' 



^ 



I've been waiting half a year! 



I've been waiting half a year! I want 



to 



!■'• J-' J' i' j) f?^ 



S 



^ 



^^^ 



^5 



E 



^ 



I've been waiting half a year! 



I've been waiting half a year! I want to 



^" P P PJ -3^ 



ii 



p-fT^ I ^ip n r I J^ i) ^^ 



I've been waiting half a year! 



I've been waiting half a year! I want 



to 



"^^"■F ; PrT^ 



l M^r~nrT'"f— ^r P •' f 



I've been waiting half a year! 



I've been waiting half a year! I want to 





r^^ ^# 



^5 



¥=^ 



^ 



P^ 



P 



give my or - der! Gar - gon! Gar - gon! come here! 



t'' Ji J^ Ji JM > p V J 



f 



dr 



give my or - der! Gar -gon! Gar - gon! come 



ere!- 



m 



p p i^ p ip 



m 



r » II 



give my or - der! Gar - gon!. 



come 



•^^1' p p n 



here!- 



:ra 



^^^ 



der 



m 



± 



give my or - der! 

♦ # g 



Gar - con! 



here! 



jv»'v»^.^^f^^»-^^v'ww^/»'^^»^v%'»^ 



^t 



S 



T 



i 



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^^ 



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m 



tr 



V^^V»^'^^»'»^^>^»'»^'V^^V%>%<^<^^^ 



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£ 



tr- 



^^•^^^^^--v^.^^^^.-*^ *.-v».'v*'*'W-v*-w*i'v 



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7 



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60 



No. 7. Song 

I'm Through with Roaming Romeos 

Adelaide 



Alia Marcia 



3E 






a. 




^ ;a /I ^ 



u 



Adelaide 



5^5 




^ 



1. I've played lifes g"am - bol 

2. iVe learned e - noug-h of 

3. I've learned e - noug-h of 



^^ 



A. 



^ 



E 



oer and o'er, 

life to trade 
life to know 



i 



m 



^ 



^^ 



P?^ 



^ 



^ 



and miss - es,. 



With lots of hits 

A dead one for a live one,_ 

All is not g"old that g-lit - ters;_ 



P^m 



m 



ip 



»-«^ 






m 



?==4=^ 




^^ 



J) J' i^ 



i 



P 



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But nev - er struck a 

It's hard to see a 

And like-wise I have 



^^ 



22 



snap be - fore, 
dead one fade. 



found this so:_ 



Home nev - er was like 

But hard - er to 
All is not g-ay 



re - 
that 




J CXX- 



24456 



61 



A. 




^ I ^ J'l i i } ^ r If i^ ^ 



this is! 
vive one!_ 
tit - ters!- 



m 



i/i^Oi 



To hopes of joy and 
Be -ware the man who 
And al - so this is 



u 



heavn - ly bliss 

buys you clothes 

true, my boys, 



t 



SaS^ 









*-* 



m 



i 



^Eg 



^m 




I r f f 



^ i J> J 



^ 



5 



^ 



EEiS 



A. 



^ 



F F. "^ 



I'm mak-ing" no pre 
With hope and g^ood in 
(You think this o - ver 



tens- es;_ 
ten - tions, 



af - ter:) 



My dream of heav - en s mere - ty 

'Tis he who paves the way that 
The man's not al - './ays due for 




^ 



^ 



P 



f 



this: 
g'oes 
joys 



m an - gel 

To the place which 
Who mar - ries 



for ex - pens 

no one men 

g-irl-ish laug-h 



es! 

tions. 

ter. 



1-3. I 



m 




^ i' J^ J. i .it 



^ 



A. 



^ 



^5 



T'Tp'- 



i 



througrh with roam - ing- Ro -me 



OS,. 



I'm throug'h with bob - bing-, bow- ing- 






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24456 



62 



A. 



m^i 



W 



> i'i }> h l \ j>^'^'> ^'it^' 



beaux^ 



So de-bon - aire and g'ay, So charming' for a day; They pay re 



:* 



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i 






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W=^ 



S ^ tt 



n n . n 



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J' i' J' ii J tji 



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spects_but that is all they pay! I'm throug"h with sen - ti-ment-al 



id I ^4 i 



^ i li J i r 






^^ 






^ 



^ 



t^ 



^^ 



^5 



A. 



^^ 



E 



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fires,. 



I'm throug^hwith tern - p'rament - al squires;. 



But if you 




^ 



^J^j^ V jn J^ J' i J l J^ JlV J> I J, J^ J. J I t 



S5 



A. 



find a fel-low, Whose g-reen-backs run to yel-low, Who'll g-ive a wife A meal-tick-et for 



^ ^ 



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f^ 



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3 






24456 



63 



^m 



^^ 



^^^ 



t^ 



p 



and halt, With ev - ry kind of fault, But' strong- e-noug-h to 

a crook, His face an all-g-one look, But a swell- ing" on his 



1. Be he weak 

life. 2. Be his back 

3. Be he blind and lame. His members most-ly g'ame, But thumbs e-noug-h to 



\ 



#jfgB^Jg 



^*^ J 




J J^ 




P 



' ^ S ^ m l 



m 



m~m—0 



■m m 




E 



^ 



J l u J) 



f 



E 



r 



E 



P 



\ 



wend his way un-to the safe-t3'- vault, 

chest that hides a fat de - pos - it book, 1-3. Why, sim - ply 
hold a pen and sign his bank-ing- name, 



nab him! 




P ![^ =:i ^ ^^^ , ^ J~] i I 



i 



^5 



^ 



J' J^ i i. i d' 



S 



^ 



^^ 



^ 



? 



-» 



Grab him! 



And when you've chained him, kind-ly let me know_ 



.The number 



^^=tf^^:^ 



f I H->-f| f 




l^>-fl^^P r 



^ 




f:^73T^ 



M r ^^ 



rr 



irr 



f ^ =1 1 r 



^1 



of his lit-tle bun - gra - lowL 



lowL 







«•• 



y^j-^. } 



&mm 






^ 



E 



■ = 11 WfUttJijj J^j^ j'v^-. a 



f 



24450 



64 



No. 8. Duet 

Not Now, But Later 

Sylvia and Rabelais 



* 



Quasi Gavotta 



^ 



Rabe ais 



1. If you on - ly were Pa - ri - si-erme, my 

2. Now you would - n't thiak a man ahard-en'd 



ft(w^^gfi^ : 



s 



-o- 



^ 




-:> 



=#= 



*~j: 



f« 



stacc. 



^=^ 



^~5. 



^ 



#MI 



^ 



R. 
S. 
B. 



Sylvia 



3^5 



^ 



la - dy! If it were true,_ 

sin - ner— That all de - pends. 



Rab. 



"VVTiat would you do?. 
UTiat he in - tends!. 



There would 
If he's 



m 



h 



mf=r mi^\hi ^ 






I 



e 






11 






? 



J ^f r T y j 



Sylvia 



?- ift ff p iii' p i,i' J^ j> ^ 



^ 



^ J' i' [T 



be so man - y lit - tie thing-s to aid me. 

bold e - noug-h to ask you out to din - ner! 



Oh, is that 
Well, not to - 




24456 



65 



s. 

R. 







^ 



i^-M^ 



so?_ 
day, 



i ^^^^= 



Pray let me know! . 
I'mg'oing-a - way. _ 



_ Some pret - ty lit - tie flowers, or a 
_ And would you mind to tell me where you're 




J_i 




u 



^ 



^ 



f 



J 



H 



a^^ 



I 



iE3^ 



^J J i J J 



3 



-O- 



R. 
S. 
R. 



Sylvia 



^^^ 



^ 



^^ 



po-em — 
g-o-ing-? 



•^ Pret-ty flow-ers_ 
We g-o to Par- is! — 



? 



^ 



Rab. 



^^^ 



I a - dore.. 
That is true! . 



But 
Then 



* 



* 



^ 



J. 



r^^T 



s 



o 



Hi 



^ 



P^^ 



^ 



j# 



j^=^ 





^e- 



f^ 



jfr ^' F ^' p J' J' J-, ^lT-r^ r^ ^>- j=^ia^^ 



g-en- tie-men, A-me - ri-cains, don't g-row 'em, 
know, my heart is sim-ply o - ver - flow-ing- 



Their faith is in the jew- el -ry 

With hope I may ac-com-pan-y 



prm^ 



$ 



e 






-»- 



J- 



W 



-s- 



:3 






^ g tir r r 



R. 
S. 
R. 



A . (Shows pearls) sylvia Rab 



store, 
you! 



Ah! have you an - y more? And if more there be, 
I take my moth - er, too! That is prop - er, quite. 




24456 



66 



R. 

S. 



^it i' ff J' ff ^M^ ji j^ I j^ j^ > } 



r\ 



Have you not a lit - tie love that 
But to tell the doc - tor would be 



r 



f^ 



you could prom-ise me? 
hard - ly rigrht! 



Sylvia 



1.2. I 



^ 




? r p ''f^^r^i r J h r=^ jl^ 



^ 



can-not an-swernow, but lat - er, 



lat - er, 



* 



m 



Mt^M 



^^^a^ 



It^ 



m 



m 



may-be lat - er. Your 

Bells 



^ 



m 



fc^ 



©TT 



stncc. 



S 



»-T- 






¥^j-^ 



te; 



^:*-^^ -f 



s 



2: 



ar- * —* 



P 



§i^^ 



1 



r 



«>*^ 



y 



h j^j^h'J 



^ 



^"^^"^^'''''''1^ ^ =^^ 



s. 



plead- ing- is not all in 



vain!. 



But wont you call a 



g-ain?_ 




F "F r p ^^^^ ^ 



5E^5 



?^ 



would not say that I re 



fuse you: 



*__feil_-^ 



S 



^,11 11 



S 



I 



^^ 



i 



'r 



P y ^ y ft ^ 






-9— 

-fi • 

/v « 



'Twould lose you; 

0. 



My 



r 



t 



3fe 






SH 



Z^rk^ih 



67 



s. 



i 



M H r ■' I ^" 



plan is bet-ter,notnow,may-be 









lat 






f^I 



^ 



i 



idl 



er: That's courtship a I'a-me - ri 



i 



^ 



^ 



I ^p ^p ''} ^f^ : 



4i^-^4^ 



^ 



*i 



Refrain 



■^^^ 



^^ r ^ 1^ ^ ;> H r 



caine! 



I can-not an - swer now, but lat - er, 



R. 



# 



Rabelais 



^^^^^m 



1 ft 



Z2I 



She can-not an - swer now, but lat - er, 






^. 



^ 









S iil 



r^ 



fe IT 



1^2 



■0 — -^ 



K^'U J, 



Ji JU' J' J' ^ Jg 



^ 



lat - er, 



may- be lat - er. 



Your plead -ing- is not all in 



^^m 



^ y ^ 1 



r" p I f r 



r i r p t^ F 



lat - er, 



may- be lat - er. 



My plead-ing- is not all in 




2445« 



68 



f). j\ Jl i' I 'i ^'i 



r J I F "M^^^z^ 



vain: 



* 



But won't you call 



g-am? 



I would not say that I re 



ti i i'. Hi 



^m 



y9- 



«» — ^-w- 



vainL 



* 






So I will call 
- I ^ 



g-ain She would not say that she'd re- 



S 



g ^r ^i TT^ t 



JEEJ 



S 



i^ 



■^1?? 









? i^ 

^ 



1 



EsS 



3: J 



f 



I 



^ 



^^^^ 



^^ 



fuse you: 'Twould lose you; Mj"- plan is bet -ter, not now, may - be 



i 



J J I i' i' i'i' ^ 



p 7 JT l-^l)" ^ 



R. 



P 



fuse me: 'Twould lose me; Her plan is bet-ter, not now, may- be 



't 



U^ 



5 B 



* 



i 



g # :t g 



* Ll» T» 



E^3 



1 



J 



^7 



9- 



cresc. 



>> fjf 



-S" 



m 



-fcgg- 



-^-1 



s. 



:fc:p 



Wf. 



a tempo 



f 



±E? 



^g 



^ 



t 



fe 



1 



lat 



rit. 



er: That's court-'^hip a I'a-me 
a tempo 



ri 



ff ff i» 



cainel 



fc 



! 



1 



^^ 



^ 



^ 



lat 



er: That's court-ship a la- me - ri - cainel 



rit. 



m 



4=tl 



i 



r^i HI t'i ^1 ^ 



p 



ffl tempo 



^ 



3 




-■^^ 



r-'^^ ^, _ 



Ui — r 



i 



s 



24456 



69 




Tempo di Valse 
P 



-G-^ 



^^ 



^ 



Your dear voice call- ing me call - ing-, en - thrall - ing- me Your dear 




I 



p 



mm 



i 



W 



^ 



*ff 



i 



^ff 



3 



iff 



^ 



ff 



^T^ 



* 



^ 



4 



7f 



i 



IS 



•^' 



^ 



^ 



?= 



?^ 



eyes be-hold-ing me your dear arms en- fold - ing me Your lips ca- 



1^ 



'S 



t 



ftfcf: 



■fS"- -#■ 



i 



t 



:322 



-fiff 



«« 



hN 



f^ 



i 



ress - ing mine press 



^ 



^f^^ ^ 



ing pos - sess - ing mine Burn - " ing with bliss 



g tIJ' « 



S 



» 



^zi 



cresc. 



^ 



S 



>^ig ^ 



P 



^ 



e 






^ 



ii^ 



i 



I 






^ 



rrt//. 



^ 



i 



1*^ 



JEE 



^1 



this must be Love's Own 



Kiss 




24456 



70 



No. 9. Duet 



Chi-Chi 



Chi-Chi and Dick 



Allegretto (quasi Schottische) 



Dick 




So my lit - tie romance has been 



Chi-chi 



^ 



^ 



■o- 



Dick 



h J J» J) J' ff J^ 



=!? 



-»- 



4 



end-ed; One more vol - ume's done! 



f 



'Tis - n't just the fin - ish I in 



i 



m 



m— T-B 



-r 



rjoz 



-»- 



Jf%'^ J y^ ^ * ^ =# 



^^ 



9- 



-S»- 



^^^ 







Chi-chi 



?i^j' I r ^ 



Dick 



M I? r It' 



^^ 



^ ' ^ 



tended, Or 'twere ne'er be - - gun. 



Put it on the shelf, dear! lU 




M 



=&^ 



« 



[^ S 3 3 3 ^4? 

i' — 



W^ ^: 



* :g- 



^ 



f ^ 



^^ 




^ 



244.56 



pt^ 



f^ P p MJ 



i 



i 



i i ^ J ^' t 



^^^^ 



71 

Chi-chi 



r I f r ^ P 



put it on the shelf, dear! There are oth-er sto - ries one mig-ht want. 



Im 




^^^^ 



ta 



Nt^ 



^ 




^ 



nxi 




i^^ 



^it 



^ ^ 



te 



ife 



311 



#i?-^-^f^r-^ J^ j. J) I J 



Dick 



i 



P^ 



s^ 



^ 



some-thing- of an au-thor-ess my- self, dear. With a 



grace and style pi 




Chi-chi 



Dick 



V jn i' Ji—^^^^T- i' I ^^^^^ 



Chi-chi 



^^5 



P 



quant!. 



So if you're real - ly through- I think I'm real -ly throug-h! With 




^ 



^ 



-»- 



Refrain 



read-ingr fool-ish books that maJie you blue: 



^ 



Re - mem-ber 




^m 



d 



^ 



c\ 



^ 2 






B 



^ 



JSZ 



P 



rit. 



r 



p 



A A 



121 






r\ r^ 



^ 



^ 



3i: 



24456 



72 



# 



Refrain 
Allegro animate 



•^117 [T 7 ^ I ^ 



^' ^' ^ J' I J! jlj 



^ 



Chi- chi, Re- mem-ber charm-ing- Chi-chi, With fas- ci-nat-ing- ways 



and 



i 



XE 




r=r=r 



^ > i g 



i^i^ g=^= r 



t 



^fe 



^ cresc. 



j:^ 



^ 



i 



• c 



rt, 



i 



a 



^ 



^=^ 



^ 



^ 



"p 



p 



p 



^ 



^ 



^^ 



F F ^ F 1^' r ^ 



p 



wiles 



That teachyou to for- g-et, With danc - es And sweet se - duc-tive 



* 






^^ 



^ 




^ 



a 



ff 



> — ^ 



' J' i'v^ij^ >-j^ J' I J r 1 ^ 



i 



\ 



i 



g-lanc-es! She's quite the dear- est witch, — a g-ay co - 



- quette!. 



^ 



S t t t 



E 



t 



i 



r=»=r=¥=| 



^ 



^ 



cresc. 



^^ 






^v 



M 



^ 



j> f \\ I. iJ^ Jw i 



^ 



h j>„h i 



^ 



F F ^ F I ' F ^ 



t 



n 



For she is Chi- chi, She's charming- lit - tie Chi-chi, With cap-ti - vat - ing- 



i^ 



i 



1 1 ^ t= 



^fW 



«^»=r^ 



^^ 



E^^P 



^ 



^ 



W 



^ 



24*56 



73 



m 



* 



^ 



g-az« 



and smiles 



^ 



E£ 



-(5>- 



That rob you of re - gret! A - way 



M 



i^ 



t 



^^ 



cresc. 



m 



, r^.r^ 



^ 



^^ff M 



/ . I; 



^^ 



■ — g 



^ f ffEf ut' 




^^ ^ 



•t/-^ 



■IK#4e ft 



■9- 



f 



^^^ 



^£^ 



7^ i) J>^ 



^ 



_with fool-ish sig-hsL 






^ 



t-J 



A way with thoug-hts 



^ 



P 



.^ 



"ST 



that ag"- o - nize! 




P 



cfc= 



p-f-UW'l p f? ( M'p p > 



P p p MMT 



Just call on Chi-chi, 




^^ 



^ 



in her eyesL 



p > J' ^' ^1 1 r 



^ 



^ 



Re-mem-ber eyes!. 




24456 



74 



:* 



P 



Moderate 



V^ 



m 



No. 10. Duet and Chorus 

That Alters the Matter 

HIGH JINKS TANGO 
Fritz, Mrs. Thorne and Chorus 



fefcrf^ 






^ 



r^ 



i^ 



pi 



9 



^^ 



^^#^ 



s 



\ 



Wt 



rs^r^ 



S 



r 



i 



fe= 



Mrs. Thorne 



Mili' ^ \ 



Mr-, 
T. 



F. 



-Iff 



Here are charm- in £■ e"en-tle-men,Whom real -ly vou shot 



Were a-bout to 
Pleased, I'mver - y 



i 



:ft 



I.Here are charm- ing- g"en-tle-men,Whom real -ly you should know. 
2. Gen -tie -men, al - low me,meet My lit - tlefriend de - mure. 



t.l t lt' F i l t 



m 




i«-4^ 



% 



* 



^? 



^* 



£2 



St 



s 



a 



cri 






d 



S 



;53 



^ 



** 



^ 



Mrs. 
T. 



ard - l-y 



£ 



g-o! 

sure! 



Hard - ly prop-er! 
lin ex-cit -ed! Prjt^ 



jTjr^H^-p 




Men 



Hand-some,sen - ti - men -tal men Who 
Al - so this is how we meet Her 



Ji ^)^ JW'^ 



^ 



i«=P= 



1 



Hur - ry! Stop herf 
I'm de - light -ed! 



i A I 



^ 




r4# 



^ l# 



^^ 



^ 



^^i 



!^g i ^ f 



i 



:33 



244.56 



75 



P=rw^ 



i 



have so much to tell, 
friends so chic and swell. 



\ 



l^tfj^ 



m 



^ 



t^ 



Ladies 



^m 



i^^ 



Yes, we must be go - ing! 

Real - ly, they are charm - ing! Men 



u 



f 



i^ 



m 



S 



Go - ing! 
Charm - ing! 



¥^ i 



Lxr^ 



f 



? 



^w 



fea 



w^ 



I 



i 



jF» ^^ . ^+^f^y> J' J I ^' ^ jj 



t 



p=£ 




None cansay,'Tis not au fait, I know her hus-band well!. 
|_-I(j;g3 None can say,'Tis not au fait, I know your hus-band well!. 



^ 



Go - ing! 
Charm - ing! 



fe^^ 



^ 



^Ei 



^^ 



^ 



Si 



UI W 



m 



m 



OJ ^ 



^ 



^3 



St 



^"^ 




^ 






[ ^j ^ I 



^ . Ladies . i . • M en | , 



¥ 



Refrain 
Ladies 



That al-ters the mat - ter, al-ters themat-ter! Dont you see? 




:'t'4.56 



76 



Ladies 





Ladies 






^^ 



^ 



Kii ;> 1 ^ i 



^g^ 



* * 



^ 



alters themat-ter! We a 



^^^ 



gree! And 



I contend, You should 



nt offend Yo 



our 



i 



'fjfj 



I 



^ 



i 



f 



s 



^^ 



i 



C3l 



:jE 



di 



fe^ 



Ee^ 



If; 



ffii ;>: ; J' ^' 



^1 



$ 



h } . \}} 



^ Ij j IJ j 



If an-v should mind Your be-in£ 



hus - band's trust - ed friend. If an -y should mind Your be-ingkind, Doubts dis - pel By 






t f f t 



i 



■ > g 



iM 



« s 



?=^ 



^ 



g* 






£^ 



dl 



S 



• ^4 



(^ 



* 



h-J^rmr-jt 



p .IP rp\^ 



II., 



^ 



^1 



say-ing,| I know your hus -band, oh! ver - y 

'You know my /C\ 



well! That well!. 




24456 



No. 11. Duet 
She Says it with Her Eyes 

Adelaide and Jeffries 
AUee-retto i=ii 



77 






k 



stacc. 



V"^^'g >jw J J >J>>>j j i jig 



St 



-^•"£ij'V^-y'-"[- ^ 



Tempo di Gavotte 



Adelaide 



Jeffries 



Adelaide 



1' J' J' p 1^ }>■> ^ I J 



A. 
J. 



£ 



:f-r^ 



do r 



fei 



Looks like read-y mon-ey. By Jove, a Beaut. He's 



t 



±=^ 



^ 



33j 



^ 



i 



^ 



-*& 



^ legato 



^ 






Stacc. 



— ^ 



s 



^y ff T 



5»- 



^ 



? 



?= 



V5>- 



r 



Jeffries 



Adelaide 



^ 



/ I J-' J' J^ ff Ji ji ^ J) 



A. 
J. 



^^^^^ 



~n 



^ 



g-ot physique and style to 



boot.. 



Cer-tain- ly the hon-ey. He 



3EEEE 



i 



^^ 



3 



i y J) » 



f^ 






S 



te 



» 



i 



5^ 



A. 
J. 



^^ 



Jeffries 



Adelaide 



j^ I h j) i J* J ii J I r / ^ y f T 



looks this 



way. She's g-ot a man-ner ver - y g-ay! 



i 



1"'^ '^} 'i'- i 



■j:|) J, ^ ' tr^ 



^^ 



p ^ ^ p y ff 
— ir 1^ r 






24456 



78 



^m 



(coug-hs) 



Jeffries 



1^ ji Jv i J i I J' i ff t i ff i- 



^^ 



think m try a lit - tie coug-h. Bj^ Jove, is that for me? 



u. 



g 



-i 



p 



Adelaide 



^ 



Or 




»i i 4 



A. 
J. 



^ 



(laug-hs) Jeffries 



frF^ 



Adelaide 



^ 



^^- I "? ^' F 



bet - ter still, live and laug-h. She acts in - vit - ing- - ly. 



d * 



( 



S 



il 



321 



A 



T 



^^ 



^ 



J— J) 



?^^ 



te 



Jeffries 



^ 



^^ 



i^ 



^ 



J^ i i i 



^ 



P ^ ^^ 



think it's time he g-ot a look! She's sure some wid - ovv^ wise! 



Adelaide 



:^^s 



f=* 



^ 



II I 



s 



p^ 



Jeffries 



i i i[j' i p ^ p "p i i' j, i iii ^. ^s^^ 



Refrain 
A: 



A. 

J. 



think I've g-ot him on the hook! Ah! 



In - vi - ta - tion eyes. 



"Come 
"Come 



^ 



S 



^ 



^ 



'jllf ^T ^^ 












i^ 



^ 



1 



^ 



244.56 



79 



Allegro animato 



e^tlJ i_^'i I j> J)_J)j> \ j^r-j -Jr^^^ 



A. 

J. 



hith- er! 
hith - er! 



come 
come 



hith- er!'^ She 
hith - er!'j_ She 



says it with her 
said it with her 



eyes, 
eyes, 



( 



She 
She 




i 



nt. 



A. 
J. 



^) ji i j^ ^'^.i r ' p itfi i^ ^' -p-i"?^M ^i^^ 



f 



I 



oes not vo - cal 
did not vo - cal 



ize, 
ize, 



But you can re - cog- - 
But you could re - cog- - 



nize, Just as plain:''Come 
nize. Just as plain:'tome 




S 




^M4 




d 



w 



& 




a tempo 



■i tJ' i i i f-^^J^ 



P^^ 



A. 
J. 



S 



W^ 



hith - er! come 

hith - er! come 



hith - er!'i_ She seems to spe - cial - ize In 

hith - er!'J What live one could de - spise Those 





rit. 



a tempo 



f 



^S 



;e 



E 



^^ 



PM—? 



f—^-?-^ 



^m 



send - ing- tire - less Jolts by wire - less, 
I am g^one on You, old Don Juan, 



All with her 
Come -hith - er 



eyes! 
eyes? 



"Come 
"Come 






w 



m tt « 



J 



rit. 




\^ 



a teinpo 



^ 



24456 



80 



A. 
J. 



^-jiJ' i y J) I J) j) ^ 



hith - er! 
hith - er! 



come 
come 



hith - er!" 
hith - er!" 



^^ 



^ 



She 
She 



says it with her 
said it with her 



eyes, 
eyes, 



She 
She 




rit. 



^ 



S 



iSi: 



A. 
J. 



W 



^ 



^ 



^ 



g 



^ 



S 



^ 



does not vo - cal - ize, 
did not vo - cal - ize. 



But you can re - cog- 
But you could re - cog- 



nize Just as plain: "Come 
nize Just as plain. "Come 



1=^ 




a tempo 



A. 

J. 



^^ 



h hJ' y Is 



i i ^'' 



^ 



I 



hith - er! 
hith - er! 



come 
come 



hith - er!" Heav'n help the man who spies Those 

hith - er!" Sure an - y man migfht prize Those 



O » 



a tempo 



w 






4 ''^ V n 




t 




^ 



s 



i 



t 



,M 



^ 



A. 
J. 



* rit. ^f7\ 1^ 






f 



2. 

5t 



en - ter- pris - ingf, tan - ta - liz - ing-, 
a - gi - tat- ing, I'll - be -wait -ing". 



"Come-hith-er eyes!" 
"Come-hith-er eyes!" 



eyes!" 
eyes!" 
8- 




24456 



No. IS. Finale 



We're Very, Very Sorry to Detain You 



Soloists and Chorus 



81 



SOPRANO 



ALTO 



TEKOR 



BASS 



^ 



Tempo di Marcia 

n ~ 



^ 



^ 



Va i 1 



Tempo di Marcia 



^ 



Were 



» ^ 



^ 



We're 



^ 



We're 



P 



We're 





ver-y, ver-y sor-ry to de -tain you, But since you have to go,. 



p ji Ji Ji Ji ji it ii JM J' p V p I J' it Ji ^ 



ver-y, ver-y sor-ry to de - tain you, But since you have to go, 



I h J ji J Ji J J J J I J> ^ 



ji i' Ji J' i' ,h ji Ji I J' p r p i p- J' J' i) I J J' ^ ^ 



and are 



^^ 



and are 



yer-y,ver-y sor-ry to de - tain you, But since you have to 



VH H M ^iTB P I P ^ V ^ \ r fl p ^ 



^ 



ver-y, ver-y sor-ry to de - tain you. But since you have to go,. 



^^ 



j^— r 



^^EE^^^: 



*>— #- 



^ 




^^ 



in j^i 



^ 



^^ 




^^ 



2A456 



82 



I* 



F^-H^ 



f i .i Ji i) ^ ^ 



V ff B I p _|L^B_5-jm-_e 



off for your trip, 



JTT^ ^ J) 



We are out for a ver - y lit - tie 



off for your trip, 



We are out for a ver - y lit - tie 



ii 



nr+H ■" g ^^J^- f M^^ ^ 



s 



f^ 



s^ 



We are out for our tip, We are out for a ver - y lit -tie 



^i 



") F F F ? 






We are out for our tip, We are out for a ver - y lit -tie 



9^3 



^^m 






r 



•'^ tip, tip-pytip! A tip or two you'll 




nev-er, nev-er miss, Be - sides, you know, it is the 






tip, tip-pytip! A tip or two you'U nev-er, nev-er miss. Be -sides, you know, it is the 



F^^FTl^^F ^ 



E^ 



tip 



tip or two you'll nev-er, nev-er miss. Be -sides, you know, it is the 



y\, J^^-Lzi^nm :^ p- P Ti 



frSi 



^^ 



^b "f f^ 



;^- 




^ 



^i 



"t^ 



^ 



f 



tip! A tip or two you'll nev-er, nev-er miss. Be - sides, you know, it is the 



^ 



^• p rw w^ 



^^ 



•J „ t^™. TU„ V,oc,t ^f n^i^ r, 



\) iJ) I i' jiJ^ 



* 






plMft 



» 



cus-tom; The best of peo-ple all must come to this. They tip, tho' they know it s going to 



cus-tom; The best of peo-ple all must come to this. They tip, tho' they know it's going to 



P p ^ jV-1:#: ^^ r P I p p M '^ 



^^ 



£^2 



S 



cus-tom; The best of peo-ple all must come to this. They tip, tho' they know it's going to 



^ cus-tom; The best of peo-ple all must come to this, They tip, tho'they know it's going to 



Thome 




J' I J^ > r ^ - 



1 



They're stran-g"ers all to me! 




bust 'em 



We ve served you 



^ 



bust 'em 



We've served you 

5E^ 



83 



well, 



well, 



^ 



Tho', 



The'. 





truth to tell, The most 



ost of us hav 



^^ 



^ 



P- J J) i> 



^^ 



have nev - er heard your bt-ll 



^^^ 



^^ 



truth to tell. The most of us have nev-er heard your bell 






truth to tell, The most of us have nev - er heard your bell 



^ truth to tell, The most of us have nev-er heard your bell. 




m 



^ 




^EEd^^EEJEE^ 



^M 



I brought your hat! 



^ 



sgt 



I swept the mat! 




shined your shoes! 



I brought you news! 



I made your bed! 



i U ^ *0 



m 



m 



244.56 



P 



* 



i 



I d IP I 



^ 



^ 



S 




F^ 



P 



S 



P 



^: 



a 



84 



$ 



$ 



^^ 



m 



darned your sock! 



All 

I ^ ff I p p J) » JM J Ji J' J' ^ J' ii p 



I 



I wound the clock! Were ver-y, ver-y sor-ry to de - 

E » J I Jl J' JQl Jl J ji 1 1 



* 



We're ver-y, ver-y sor-ry to de 



^^ 



^ V .yj^ I JO JO J^ Ji ^ 



:£ 



I browned your bread! 



We're ver-y, ver-y sor-ry to de 



m 






\ 



We're ver-y, ver-y sor-ry to de - 



rt 



^ 



^ 



§i 



S 



m 



^ ^ 



t^ 



^ 



P 



^ 



r^ 



y 



^ 



M -li. i* r ^ 



¥ 



^2 



J^ J J i> 



^ 



tain you , 



But since you have to go, 



> > V i I A Jt J). ^ 



and are off for your trip, 



J^ Ji il I [^ h } i \) 



tain you. 



But since you have to go,. 



and are off for your trip, 



^ 



,h I J ). Jl I f 



^ 



^ 



^ 



p 



tain you. 



But since you have to go,. 



p I P" P F m 



^^m 



We are 



■^ tain you , 



But since you have to go. 



We are 






^ 



i' Uf L' 



^i^ 



p 



^ 



W=9 



tJ. u. ^ 



«* 



f 



f l Jl Ji ji il J' i' B I p 



• * 



^1 



^^ 



<M «t- 



We are ver-y, ver - y sor-ry to de - tain you! 



We are 



:i Jl I J J il Jl Jl J' -f' i' I ^^ 



g^^^f^ 



^ 



7 



e are 



ver - y, ver - y sor - ry 

J J J ^ ^ i 



to de - tain you! 



We are 



J. Jl ni l jl ;^^ 



Si 



wm 



out for our tip! We're 



ver - y, ver - y sor-ry to de - tain you! 



^ 



h P P 



EE^5 



iE^ 



m m m m — ff 



^ out for our tip! We're 



ver-y, ver- y sor-ry to de - tain you! 



i 



« ntJ ^ *n 



\i J ai I 





24456 



85 



a t 1' ,1' J ' 



$ 



$ 



out for our tip! 



^ P, I J' J^ Ji J J' p ff F 



ii J .Ji J> 



We're ver - y, ver-y sor-ry to de - 

J, I j) J Ji Ji Ji Ji J' Ji I 



out for our tip! 



We're ver - y, ver - y sor - ry to de - 



P i' «J' > 



S 



m m 



^ 



M P M M 



i^ 



We are out for our tip! We're ver-y, ver-y sor-ry to de 

I 



F F M p p I'M p I g ff ff g g g g g 



We are out for our tip! Were ver-y, ver-y sor-ry to de - 




tist ^ ^ ^ 



Thorne 



' >p Ji JlLJ^ 



* 



3^^ 



Come, leave this wor - ry! 



tain ycu! 



^ 



tain you ! 



4 






tain you! 



y- r ^^ V 



^ tain you! 




Fritz 



^^ 



(Mrs. Thorne faints) 



fc 



^^ 



Whats your hur-ry? 




^^ mm 



^ 



® 





^ 




s 



^ 



:S 



^ 



cresc. 



J vi' ^ /i PISJ ^^ 






Pi] 



^ 



a7iimttndo 




^ 



* 



i 



344i56 



86 



i 
=% 



Allegro 



=fc 



^m 



Wa-ter! 



?^ 



ji ji I J^ J) ^ 



Some one's faint -ed! Wa-ter! 



^ 



h h|J^ J^BJ^ ^ 



^^ 



^ I .P i^ J- 



Who's acquaint . ed With the cause of 



K h I J) Jl tf J^ J^ 



^ 



^FP 



*f 



Wa-ter! 



Some one's faint-ed! Wa-ter! 



^ 



^ 



Who's acquaint - ed With the cause of 



P tS \ i 



B p r F I F F "F— 4^ 

Wa-ter! Who's acquaint -ed With the cause of 



f^ 



Wa-ter! Some one's faint-ed! 



^p ff I p-jT— ^ 



^M r p p p 1^ 



£ 



^ 



?=^ 



p 



Allegro 



Wa-ter! Some one's faint-ed! 



^ 



£ 






Wa-ter! Who's acquaint -ed With the cause of 



£ 



m 



i^*- iti"- 



^ 



A 



fe=^ 



..^.^ 



^^T " \il.l ''&J"J 



* 



^^ 



EE=5 



H 



1^5^ 



i 



:f 



^ 



'"T^ 



/- 



ffi * p p I F ^ 



E^S 



g;^^^ 



^ 



=p^ 



this dis - as - ter, as - ter, 



as - ter? 



Wa -ter! 



Call a doc - tor! 




this dis - as - ter, as - ter, 



as - ter? 



§ 



P P T P 

tnis dis - as - ter. 



5^ 



Wa - ter! 



I ? F I F P > 



Call a doc - tor! 



e:^ 



i" *. If!. P F 



as - ter, as-ter, as - ter? 



Wa-ter! Call a doc -tor! 



'/«ii F F "F ^ 



rrr^^^ 



m 



#=p=^ 



E 



^^ 



this dis -as -ter, as-ter, as-ter, as-ter? 



* 



/yi. At Ite 



^^^p 



->g* 



^r 



Wa - ter! Call a doc - tor! 



^% 



i 



^ 



i 



=^ 



ii 



* 



:fi s 



i 



^ 



s^ 



^^^ 






•J -iir. 



^i:^=iy-trr7; i ^ "; '^p ; 



^ 



^^ 



Wa - ter! 



Some one's shocked her! Run for wa - ter! 



Run for wa-ter! 




Wa - ter! 



M- n p. p p I F- «F "F ( i 



Some ones shocked her! Run for wa -ter! 



!! p p ^p ^'^ 



f-p I J' ;^ p ^ 



^fl ^ ij) ^ 



^s 



Wa - ter! Some one's shocked her! 



y='^ 



Run for wa-ter! 



P P p F 



Fast-er! fast-er! 



Wa -ter! Some one's shocked her! 

1^ A^ ^i^ i 



Fast-er! fast-er! 




244^6 



m 



^^ 



? ' p 1^ p "^ 



J' J' J' J. 



^ 



87 



m 



Run forwa-ter! Fast - er! fast -er! Run for wa - ter! wa-ter! 



^ 



h m i) 



h J) J^ 



rrxT^ 



p.'/ p.. p 



:* 



Run for wa-ter! Fast - er! fast - er! Run for wa-ter! wa-ter! 



»^ g;^3:^^J'> .J) J^ ;> I > yji J^ ji I Ji ^ji ji ; , I J, J, i 



Fast-er! fast-er! Run for wa-ter! Fast - er! fast - er! Run for wa - tcr! wa-ter! 



> A^P "P p P I MM P I f^^ M P V p p I p p ) lilt 

Fast-er! fast-er! Run for ■w'a-ter! Fast - er! fast- er! Run for wa-ter! wa-ter! 



$ 



^fP~n ,4M-r 



^ 



i e 



& 




s=*l 



^S 



tefii 



S 



^ 



s 



^ 



Tempo di Marcia 
Jeffries 



nr^^ 



f* ■ 



^ 



f 



^ 



The voice of na - ture ! The voice of 



mm^ 



Mm 





i^^it 



E 




9.0 



f — *: i 



niolto 



fit. 



m 




i^ 



E 



3 



^. 



f 



^ 



73- 



^sJ ^::[L4dJLJ_lU 



c p- fl p-^Fif 



i 



f 



na - ture! 



hear it whis- per-ing" and call - ing- to me now. 




3=| J__«_| i=iH!!: 

3r^5: 3 I: ii 



p^ 



In her 

.3= 



^ 



^=1 



i^j^» T r liff- g p- [? I r f^ 



1^ 



r (! I r p- M 



face I read my no-men-cla - ture, 



And my im - ag'e is stamped up-on her 




^^ i rjjjjj 



ti i-ft* 



^^ 



*? 



a 



( 



'-f 



1 9 C 



I 



24456 



«■■ 



88 



S 



f r 



brow. 



^ 



'• p r (^ I r r ^' p r f? 



The voice of na - ture ! The voice of na - ture ! 



I grlad -13^ 



^ ^ 



■ ■ 



»sfS#i 



$ 



He hears it now! 



He hears it now! 



' ' €> • t l' 



^^^5 



■ ' » 



He hears it now! 



He hears it now! 



1- V p' "F r * I V ;? 



^ 



He hears it now! 



He hears it now! 



vg p- g r g 



P P' K 



He hears it now! 



He hears it now! 



i^ 



^^1 



m 



« 



^ 



i : w * 






+ 



i 



i 



^=feE5» 



1©- 



zz: 



v:tt [T- fl r [7 r ;fe^ 



4^-M-^ 



£ 



J. 



z: 



has -ten and o-bey its call; 



Long- I've foug^ht for her, Long- I've 



f ^' P' F r r 

Has -ten and o-bey its 



*!■ iiJ) itJ^ 



^?i^t 



as -ten and o-bey its call! 



He fought for her, 



h J Jl J 



^^^1 



Has -ten and o-bey its call! 



He fought for her, 



i' n- i' r " r I P" i -ii ->' r > I V g p ^ 



p "' p ^ r 



Has -ten and o-bey its call, o-bey its call! 



He fought for her. 



;'•' f p p; p 



^ 



-^HM^-g 



f^^f^ 



Has - ten and o - bey its 

J_J1 



call, o -bey its call! 



He fought for her, 




24456 



89 




''■'r r r H r (? 



V p [T- ft 



soug-ht for 



her, And now Ive g^ot her, 



and now Ive 



i 



He sought for her. 



^^^-^g- P- P P 



f 



He's got her now! 



^^ 



He sought for her. 



I— F— P- 



He's got her now! 

V ^p p— »r 



^t 



He sought for her. 



t>-» ''• p , r ^ 



He's got her now! 



He sought for her. 



He's got her now! 




1 ff- n I ^' tr r f t^ I f E 



g-ot her 1 



I have found at last 



my daug-h - ter! 



^M" [^ r ~^ I ^- — ii^-^p' ^ P' ^ \ '^ ^ ^ 



^ 



Hes got her now! 



$ 



^ V . i h. J 



He has found at last his daugh - ter! 



> Et 



'■ J p - p P 



Hes got her now! 



He has found at last his daugh - ter! 



^- P p- 11^ r > I J^ ^ 



P^ 



E 



nr 



^ 



He's got her now! 



He has found at last 



his daugh - ter! 



t I P 



p- ff r p 



\ 



He's got her now! 



He has found at last his daugh - ter! 




24456 



90 



Rabelais Animato 



'y-« - t F f=fg 



ff • • 



£ 



^m 



^ 



No, his sweet - heart !_ 



That is what she is; 



If not, I'U 



± 




^ 



g- »j jr^ 



-o- 



?^ 



? 



S 



o 






irt 



^ 



^ 



i 



Thome 



i 



^ 



hope ! 



R. 



M l '' ^' ^^ 



E^ 



t-=? 



dieL 






Ret-ri - bu-tion should be his, He was plan - ning- to e 




J 



^ 



i 



)j ]) 1 ^\t Ji » 



W^ 



^ 



s 



at — (g 



t^ 



y tf y i 



^^ 



^» »* 



s 



Thome 



U^^'r '} 



R. 
T. 



^^ 



/ 



lope! 



To e-lope? Con- 



i ^ ^ 



^^ 



:^= 



J= 



He was plan - ning 



to e - lope! 



' M i r 



Ei5 



He was plan - ning 



to e - lope! 



£^5 



^^^^ 



m' m 



He was plan - ning 



to e - lope! 




24456 



91 



T. 



found your eyes! For this I'll have your life! 



I want you aU to 




' ^-iH^^—i 




s 




^ 



^ 



^ J h) ^ 



This la - dy is my love, 



my love , my - 



iE3E 




i 



i^^ 



^=^ 



^g^f f'*' 



J it f i 



^ 



iy i^- 



fef 



(Sylvia enters) 



Sylvia 



& 



-4 TV i 



m 



Dick 



V »' » !' ai ' #1 <! «^ «) ' 'p> b 



What's the 



/ 



Sh! Don't g^ive your- self a -way! 



M iw r- p f r^ ^ r ^ 



:fc 



His 



wife! she comes! ah, lack - a- day! 



i ^ j) n'v ^j=^ 



fe^ 



^^ 



# 



:Ie= 



His 



wife! she comes! ah, lack - a- day! 



4i^ 



r- M p g r 



i V j) ^ 



y • ff 



2: 



^^ 



His wife! she comes! ah, lack - a-day! 



^j^ , ?• f ^r^ f^rA ^ 



His 



wife! she comes! ah, lack - a-day! 



m 



^S 



1^^ 



pp 



*=^f=FJ 



P 






m 




24456 



92 



s. 



^^^ 



f^ 



trouble, pray? 



Sg 



Jeffries 



^ 



' y F P F 



J. 



£E 



At last 



I look in - to your 




kfe 



m 



Fritz 



£ ^ 



F. 



J. 



P^^^ 



^ 



Wa-ter! wa-ter! 



^^ 



cantabile 



^ 



^^ 



£ 



eyes^ 



my daug'hter! 



My lit -tie 



^ 



^ M P JL' 



i?dr 



$ 



^ 



His daughter!- 



j^ ^ I.J^ ^ 



S 



^ 



His daughter!. 




i ^ ^p F p 



s 



His daughter!- 



M «. 



^m 



J :!- 



^ 



His daughter! 



^.^. 



cantabile 




24456 



93 



s. 



Sylvia 



P^^ 



i 



^m 



*=s- 



^ 



His lit-tle g-irl! 
Adele 



He mig-ht have known 



I had this curl, 



^^^ 



,. His lit-tle g-irl! 
Thome 



J' J' J' i 



T. 



J. 



D. 



B. 



/ ^ I Thorne 

^ His lit-tle g-irl! 



He mig-ht have known 



"^^m 



She had this curl, 



He mig-ht havekno-wn 



^m 



^:i ia r r ^f^ 



S 



g-irl!. 
Dick 



I mi^ht have known. 



^^ 



i 



She had thi s curl, 



^ 



You had this curl,_ 



.Your mother's 



ifis fit-tie g-i 



^l 



g-irl! 
Rabelais 



He mig-ht have known 



She had this curl, 



^=^^=^ 



E^^5 



His lit-tle g-irl! 



He mig-ht have kno-wn 



te^ 



m 



^^ 



i f p f 



^^ 



^ 



aCE 



She had this curl, 

7h— 



^— " w — w 



■WtZHM. 



^ 



33C 



My nfother's ver - y 



^ 



^ 



^^''li' V l)i: ii J 



own;. 






. So ver-y fair. 



Her mother's own; 



^^'•'> v7 • r 



Her peach-bloom cheek . 



so -ver - y fair. 



32 






J> ji i ' Ji '■I 



Her mother's own; 



Her peach-bloom cheek! 



so ver-y fair, 



^ 



^ 



F^^ 



^M^ 



own;. 



Her peach 



v^"i> V M [^ 



Her mother's own , 



IJ-ILg 



bloom cheek so fair,- 



Her winsome 



^ 



Her peach-bloom cheek 



fair, 




94 



[ 4 ^'''> ^ F H 



^ 



^^ 



^^ 



My winsome smile , 



i 



^F^ 



My smile so rare, 



My ang"el's face, 



^^^ 



P^^ 



^ 



^^ 



^ 



Her winsome smile , 



I 



^^ 



* 



Her smile so rare, 



Her ang-el's face, 



P 



ifc 



^ T M 



15>- 



^^ 



1* 



Her winsome smile, 



''H^^ 



^ 



Her smile so rare, 

^fTs 



Her ang-el's face, 



f ff g ^ 



ip^ 



^ 



^ 



smile 

h5_ 



so rare,. 



Her ang-els face,. 



Her Grecian 



i 



ns 



M 



^ I M M 



so 



rare. 



Her ang-el's face. 



^S 



w h JU^ J 



B. 



321 



P 



ffi 



SO 



rare. 



Her ang-el's face, 




24456 



95 



m 



^ 



^ 



Such 



-^^ 



grace 



and 



I 



b'l> y ^ ^ ^ 



Her Gre-cian nose 



7 j) i ' J^ ^ 
and charming- grace, 



^ (.''!> ^ i) -^ 



r=P=r=^ 



rzi 



Her Gre-cian nose 



and charming- g-race, 



^^ 






i 



feEte=:_-g— ^ 



nose. 



Her charm and g"race , . 



That fine re 



*r-\,Si' r p - 



£ 



Her Gre - cian nose 



£ 



1^ 



and charming- g-race, 



aJ'i> 1 J J> ^ 



Her Gre - cian nose 



V J' J' n 



and charm-ing- g-race, 



f^^T^ 



^^^ 



Her Grre -cian nose 



? 



^^ 



and charm-ing grace. 



m 



Y 1 



J) Ji i J 



Her Gre - cian nose 



S^5^ 



-*r o 

and charm-ing grace. 



# 



7^=^ 



^ 



yU'II' -r P (b ^ 



\ 



H 



Her Gre - cian nose 

^ --^ k 



Her Gre - cian nose 



6=z6=e 



and charm-ing grace, 



fe^^^^fi^ 



and charm-ing grace. 




2-i45fi 



96 



pose, 



A. 



My poce 



Her fine re - pose, 



~i^ — 

Her 



eyes 



di 



m 



di 



fefc 



^ I '" ^ i. J. S 



s 



T. 



Her fine re - pose. 



all 



-^g^SF^ 



^ 



di 



^ 



£ 



pose, 



Those laug-h 



ing- eyes 



di 



^ 



W V [T f-^ 



Her fine re - pose, 



Her 



eyes 



di - 



'ni'i> y r [7 -g 



32 



Her fine re - pose, 



all 



di 



M 



h J) ^ 1 i i J^' "l^ ^ 



^^^^=^ 



^ 



Her fine re - pose, 



Her laugh -ing, her laugh -ing, 



^ 



\^Y V '-#^^ 



J) J) J) 



i i) J) 



Ht-r fine re - pose. 



Her laugh -ing, her laugh -ing, 



^ 



1>\^ •/ P 



ff=f^ 



^ P P P 7 P P g 



£ 



Her fine re - pose, 



Her laugh -ing, 



her laugh -ing, 



v^S> 1 p~ p p 



P P P •/ P p p 



Her fine re - pose, 



Her laugh- ing. 



her laugh -ing, 




24456 



s. 



i^ 






r:\ 



(C\ 



97 



^^^m 



^y 



rit. 



"Vine, 



vine , 



/O 



All tell you I am thine! 

r:\rit. 



t I r j^ ^izj^i^ 



JCK 



Tir- 



Jte 



zzz 






AU tell you she is thine! 



-a P It lO l» (» 



XE 



TT" 



^ 



Vine, 



^ 



S 






AU tell you she is thine ! . 



?=EI 



i 



^ 



^ 



vine, 

/2 



AUtell me you 






are mine! 



^ 



vine, 



C\ 



All tell you she is thine!- 



^ 



^ 



^^ pfc^ 



J) 7 ^ I V p =p=^ 



3X; 



Vine, 




i^ 



-^-^ p ? r^ ^ I ^^r^ ^ 



All tell you she is thine! 



^ 



#1^ 



her eyes di -vine, 



All teU you she is thine! 




her eyes di -vine, 




AL-!L_^_pL_-]rr^ i ^,=^=^^ ^:^ E^EE^ 



All tell jou she is thine!. 
r\rit. 



TT" 



^^ 



her eyes di - vine, 



^JhJ^.t ■, P P-f-F^ 



All till you she is thine! 



glg-Mlllf -EE^ 



"TT 



4: 



her eyes di - vine 



All tell you she is thine! 







i\AllegTO Sylvia 




^AiiegTu ayivia ^ 



What does it mean? Ex - plain to me! 



Adele 



xc 



* 



f I J> ji ;■ J' I J' \ \ .k » I 



i 



Allegro 



What - e'er he says, you just a-gree! 



^ 



:£ 



i 



S 



-^ 



^ 



^f^^^^^ 



?^ 



iSfi 



98 



Jeffries 



M 



r\ 



^ ^^-^F^f +R' V F I r F'P P ^ 



^ 



^ 



^ 



And to think that e -ven now, When all my joy should be serene, This miscreant,false to 



M 



^ 



i 



i 



¥ 



m 



w 



M 



P 



r\ 



? 



/T^ 



z^ 



l» 



i 



Sylvia ^ 



^ 



s. 



J. 



¥ 



S 



3 ^vT'g ^ p = ^ 



You mean? 



ft ff 



F=F 



T^ i ^ 



f^ 



ev - ry vow, Should bring" dis -grrace ! 




!£lSt|^ 



Your 



Bft fw I. 



i 



BZHaiz:^: 



F^^ 



^f 



w 



w 



^^3 






ffl=i^ 



g^ 



/o 



1^ 



/^ 



7 ^7 



^ 



^ 



7 



ffi 



L "rj * "[/ 



Marcia 



Thorne 



a ^-^TTT^ 



I g-ive up hope! 



S 



^ 



P 



^ 



P 



i 



hus - band with that 
Marcia 



wo -man there, 



With vil - lain - y be 



f 



e:^3= 



f=f 



£^ 









^ 



g 

& 



^^ 



■d -d 






. }\r~ix 



•^B^ 



^ : ft 

at- ~i»~ 



^ 



^^ 



r r 'g- g r ^ 



i 



E^ 



*>^fr~y 



yond compare, 
Dick 



^ 



Plan - ning" base - ly to de-ceive you. They would e- 



w^ 



S 



m 



m^^ 



^± 



iVe g-ot the dope! 



Dont g^ive up hope ! 



I've g"ot the dope ! 



^3E 



I 



i 



"^ 



^ 



E^g^ 



J^^ 

r^^ 



i 



7 7- 



^^^^ 



■^==^ 



S 



-♦— — ft- 



I^^ LS-ULXi 



244r)B 



99 



i^^^ 



Fl, 



J. 



-O- 



M3'- 



^^^Ji I J J ^ 



Your hus - band with that 



I g"ive up hope! 



-M 



Fritz and Florence 



^^^^^^ 



Don't g"ive up hope! 



m 



T-U — 1» 



r-rH^ 



^ 



lope,. 



they would e - lope!. 



pm 



T^ V p r P 



Don't g'ive up hope! 



S 



'rjtdh 



i 



m 



^ 




«F 



- wF=r^rM 



m 



m 



Her hus -band with that 



^ 



iVe g-ot thisdope! Her hus -band with that 



^± 



f 



.m m 



Her hus -band with that 



^^ 



Her hus - band with that 



^^' ^ ^ J J J 



Her hus - band with that 



^ 



Her hus - band with that 



^ 



^ 



^ 



L^ JZgZ p 



B 



L J J • J ^ a (»^ 



Her hus - band with that 



£ 



^ 



^ 



5^; 



i^3§3^ 



P^ 



2\4o6 



100 



p p ^'' ^ j) J^ 



-«- 



^ 



^ 



s 



-*^-v 



husband with that wo-man, With 



vil - lain -y beyond com ■ 



M 



^^ 



^ 



^ 



i 



« 



wo-man there, 



With vil - lain - y be - yond compare, 



with 



^ 



± 



i V ^1 Jr 



T. 



She s not my wife , 



she's not, I swear! 



Fl. 



^PJ^ 



J. 



^±1 



f 



^ 



f 



wo-man there, 



. ') ti f ^4- 



With vil - lain - y be - yond compare, 



#=P=# 



with 



i^i; 



f 



with 



wo -man there. 



With vil - lain - y be - yond corn-pare, 



S 



f^ 



f 



f^^^F^ 



^^ 



with 



wo-man there. 



With vil - lain - y be - yond com -pare, 




24456 



101 




m 



r^-^r-Tf 



m 



s: 



pare, 



be 



yond compare ! 



I'm his wife, and I'm his 



i^^ 



^^m 



^^ 



^' r r "^TT" ^ 



p 



f 



vil - lain - y be -yond com - pare, 



For-sook his le - g"al wife, Who is his 



m 



E 



mm 



f 



She's not, I swear! 



she's not my wife, your 



ii 



F. 
Fl 



y.tT r "jT- p ^ 



f g r P I ^' ^ f EEE^Eg^EgEEp 



vil - lain - y beyond com - pare,. 



For-sook his le - g-al wife, Who is my 



D. 



* y^ r 



^r f r ff 



vil- lain- y beyond com - pare, 



~^' p r N ^' ^ ^'^'^' p f^ 



For-sook his le - g-al wife, Who is his 



''-■^ r r Fj I'-t!^ 



^^^^ 



s 



F" p r T P r^ 



vil -lain - y beyond com -pare, 



For-sook his le - g:"al wife, Who is his 




vil - lain - y beyond com - pare, 



i 



ii-b. ii Jr^ 



vil - lain - y beyond com- pare, 






vil - lain - y beyond com - pare, 



^ 



For-sook his le - ffal wife, Who is his 



r ^ j, ^ I j)- ^ 



E 



^^ 



For-sook his le - gal wife, Who is his 



^ 



f I p- M^ lLgr^£=g 



For-sook his le - gal wife, Who is his 



jlJ). j i i .. g r p- i i ^ s=a 



P m 



^,,{j_^L_ji 



re 



^ 



vil - lain - y beyond com - pare. 



For-sook his le - gal wife, Who is his 




24456 



103 



A. 



T. 



Fl. 



* 



^ 



t-rff 



fa 



m 



long-- lost daug"h-ter! 



What shall I do? 



^ 



M 



^^^ 



-«^ 



long- - lost daug-h-ter ! 



tt f^ (' I tl 



^ 



Pre-tend to 



long-- lost daug-h-ter! 



fa 



i 



gtt 



^g 



fS^^ 



J. 



? 



-^^| ^ 



long-- lost daug-h-ter! 



My world's a - wry! . 



i 



m 



long-- lost daugh - ter! 



^m 



m 



3ii 



^ 



long-- lost daug-h- ter! 



^ 



^ 



long- lost daugh- ter! 



fat 



i ^i ' i "^ 



long- lost daugh- ter! 



*$ 



^ 



long - lost daugh - ter! 



3* 



iEESES 



ti3= 



long- lost daugh- ter! 




^4456 



103 



A. 



T. 



D. 



^^^ 



EE3= 



m 



cry. 



' ^F F F ' r ^r ^^ 



«¥^:- 



g 



^ 



-/2^ 



If she comes to, I think 111 die. 



/2J 



My worlds a - wry! 



m 



Dick 



i 



But why not 



ifll i i 




Florence 



Fl. 



A g riorence 



vS t 



m 



She's com-ing- to! 



Fritz 



^^ 



^5 



m 



■fi-' 



Ihearhe rsig-h. 



^ 



A^ 



P^^ 



Tryto for-g-ivehim, try to for- 




^m 



ft, ■- i rfj ,Jj^ sfej 




24456 



104 



i 



Sylvia 



Your 



S 



=^-== 



dear voice call - ing me, 



-6h 



Call 



i 



321 



ing", en - thrall - ing" me, 



S 



2iz: 



^ ? - 



i? 



rj 



^ 



^ff 



i 



^ff 



3 



^ff 



^ 



ff 



jt ■'i ^ 



TJf 



i 



3 



-«■ 



-s 



3j: 



# 



i5>- 



^ 



^ 



?= 



•» — iizz: 



i 



s 



22: 



^ 



-<5^ 



Your dear eyes be - hold - ing me, 



Your dear arms en - fold - ing me. 






^ 



3t 



^ 



:^ 



fe^ 



5 



i^ 



I 



jSC 



i 



i 



i 



^ 



t t I I 



cresc. 



3^g^ 



^ 



# 



^ 



3C 



Your 



lips ca - ress - ing mine, Press 



mg, pos - sess - mg mine. 




^broadly 



rail. 



^ 



r^ m 



g 



i 



-^' 



^ 



Burn 



ing with bliss: This must be Love's Own 



Kiss. 



i 



* 



^ 



i 



^m 



P 



£lti( 



-(S>- 



m 



W 



t^ 



i I 









Ui 
t'= 



^broadly 






h& 



rall.^ ^ 



=P^ 






^ 



*E^ 



24456 



105 



Sylvia 



m 



-^ 



^^^^ 



^ 



Your dear voice call- ing- me 

Mr.Thorne 
^ 



Call 



ing- en - thrall-ing* me 



Your dear 



^ 



^ 



32 



Your dear voice call - ing- me 

Jeffries 
P 



Call - ing- en- thrall-ing- me 



g 



^ 



Your dear 



^^¥^ 



Z2I 



Your dear voice call - ing- me 



Call 



ing- en - thrall-ing- me 



=55?i 



Dick 
P 



rz" 



Your dear 



■ y'^i'i r ir 



zz: 



^m 



Your dear voice call - ing- me 

Rabelais 



Call 



ing- en - thrall-ing- me 



13^ 



Your dear 



P^^^^ 



Your dear voice call - ing- me 

bOPRAKO 



Call - ing- en - thrall-ing- me 



^J^ 



Your dear voice call - ing me 



Call 



ing en - thrall - ing me 



-^ 



ALTO 



Your dear 




Your dear 



,1 . u 



m 



4 g . 



-o^ 



32 



Your 



TENOR 



dear voice call - ing me 



Call 



ing en - thrall - ing me 



m 



3 



-P- 



^=^. 



-& 



Your 



dear voice call - ing me 



Call 



ing en - thrall - ing me 



%3 



BASS 



^ 



g 



^-^ 



Your 



dear voice call - ing me 



^ 



m 



nt 









Call 



m 



ing en - thrall - ing me 



*ff 






Your dear 



^ 



Your dear 



1 



Your dear 



TfT 



Tiff 



^ 



^ 



zni 



*• 






-«- 



-6^ 



^ &^- 






J 



ZVithS 



106 



s. 



^ 



i 



E 



^ 



-6^ 



-&- 



s 



^^ 



eyes be-hold- ing- me Your dear arms en - fold - ing^ me 



Ah 



i 



zz: 



t5>- 



^^ 



^m 



eyes be-hold- ing" me Your dear arms en- fold - ing- me Your lips ca- 



te^ 



i 



^ 



?Z5 



e 



i^ 



t9-=- 



^5^^ 



^>''h r r i r- r 1^ 



eyes be-hold- ing- me Your dear arms en -fold -ing- me Your lips 



ca- 



-^' 



^^ 



i»^ 



<5^ 



^ 



eyes be - hold - ing- me Your dear arms en - fold - ing- me 



Ah 



R. 



'Yh^ ^ ^ r ir 



zz: 



f=^=^. 



t9-^ 



# 



^ 



^ 



JJZ 



eyes be-hold- ing- me Your dear arms en- fold- ing- me Your lips ca- 



eyes be - hold - ing- me Your dear arms en - fold - ing me Your lips ca - 



fe^ » » 



r r w 



m 



eyes be - hold - ing me Your dear arms en - fold - ing me Your lips 



^ 



ca - 



f» 



^ 



r r ir 



eyes be - hold - ing me Your dear arms en - fold - ing me Your lips 



m 



M- fi- 



i 



fei 



ca- 



19^ 



^^ 



eyes be - hold - ing me Your dear arms en - fold - ing me Your lips ca ■ 



^^ 



m 



t 



t 



-&■ -0- 



w. 



m 



=^ 



^ 



r=r 



g i 



M^ 



24456 



lOT 



5^ 



-is*-^ 



p p 



^ 



^ 



Ah 



ress - ing" mine, 



Press - - ingr, 



^^ 



-is^ 



pos - sess - ing" mine, 



J. 



a 



ress 



a 



fe^ 



n 



ing" mine, 



M 



Press 



1S>-^ 



Ah 



mg-, 
iS-' 



r r If 



pos - sess - ing- mine, 



# #- 



^ 



s 



ress 



ing- mine, 



Press 



ing-, 



f — r-H " 



pos - sess - ing- mine, 




ress 



^Mi 



i 



ress 



ing mine, 



ing mine, 



Press 



-s-=- 



Press 



ing, 



iiig, 



pos - sess - ing mine, 



pos - sess - ing mine. 



Nf 



ress 



^-^ 



ing mine. 



P 



Press 



ing. 



pos - sess - ing mine, 



^ 



\ 



ress 



mg mine, 



Press 



- in£ 



r r If 



pos - sess - ing mine, 



=^ 



^ ■ ^ — -=— ^ 



I 



WW^ 



-S-i 



zcti. 



^ 



^ZF 



i 



jh^ 



^ 



fci^ 



z& 



i 



^ 



{=t 



:5D 



^ 



24'i56 



108 



* 



^ 



ff broadly 



rail. 



f i f 



^ 



Burn 



'• (&■ 



ing" with bliss: 



This must be Love's 
ff broadly 



is>-^ 



# 



3 



an 



Own 



s 



fe 



Burn - - ing- with bliss: 



^m 



Burn - 



_c_ 



B. 



^ 



-(2- 



w 



This must be Love's 
fr broadly 



-y-h r i T ^ 



1©-^ 



^ 



ing- with bliss: 

ha- 



i 



This must be Love's 
ffJ>roadly 



Burn - - ing- with bliss: 



i 



This must be Love's 
ff broadly 



i 



Own 

m/Z. 

— ^^— 



Own 
rail. 



Own 

rail. 



S 



r 1 1 ^ 



^ 



S 



Burn 



' 



ing- wit bliss: 



This must be Love's 
ff broadly 



n • 



Own 
rail. 



19-^ 



^ 



Burn 



i 



ing with bliss: 



This must be Loves 
ff broadly 



Own 
rail. 



? 



^ 



znt 



Burn - 




ing with bliss: 



This must be Love's 
ff broadly 



^ 



Own 

rail. 

r> • 



^ 



P 



Burn - 



^^ 



ing with bliss: 



This must be 
ff broadly 



Love's 



:»> :i. 



Own 
rail. 



%^^ 



Burn - 



ing with bliss: 



This must be Love's 



Own 



i 



t 



&JZ 



■fi-' 



fe 




5>-=- 



^ 



iii 



4U 






ff broadly 



1 



M 



rail. 

3^ 



■jz 



^ 



•»•. 



84456 



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^ 



B V-P p »p J'-7p Jwp I J'- p 



he: 



109 



Some -thing- seems tin- gle-in - gle-in - g-le-in - gle - in - gle-ingr so queer, 
a tempo 



^ 



m 



w 



p 






^ 



stacc. ^-. _. _^ 



^ 



r^^i 



i 



ffi 



i 



b ft y 



Here in 



P 



your ear 



^ 



r jifii 



=8= 



Near - er and near, Like some strange 



h= 



cresc. 

p. 
;!2 



¥ 



r I ' i'^ »'^ 



tr 



hfJ.^y 



^ 



i 



S^ ^ r fr j 



S^^5 



P'7 ^ p?P ^' ? [; ^ 



i 



^^^^^^ 



min - g-ling- Of jin - gle-in - gle-in - gle-in - g:le -in - gles And tan- gle-an-g-le-an-g:le-an- g^le- 



i 



^^ 



hil J 



a 



iiii » ' ^ r ^J^ 



3==tt3 



J i^'^^^ ^? 



^: 



i 



i.tt 



i 



an - gles; Why,. 



. JvjiJ'.yilf — -p4'>J'4'p 



you Wcint to cry, 



You want to die,. 



P^^ ^ P't' p l 



But all you 



m 



poco arltmato 

Xi. -^ 



^ 



i^/^r^ 



cresc. 



■iT] JP 



"d^^f [j gr 




do is 



laugrh, Hi! Hi! You've got the Hig-h Jinks! That's why! __ 



S^^ 



F^ 



^ 



24456 






^ 



E? 






^ 



^ 



^V^n?? 



^ 






110 



R. 



h \>» 1 



p'^'i ^ i r Pr p^' M'' M^'- p 



J'. W ]'. ff I J ' 



in 



Some-thing- seems tin - gfle-in - g^le-in - g-le-in - grle - in - g-le-ing- so queer, 



L 



r ^ J J ip^ p p^p^'-ypi'^p 1 ^'- p 



xr 



Some-thing" seems tin - g"le-in - g"le-in - gle-in - gfle - in-g^le-ing" so queer, 



fi»Biij'^JU'^JU''yj^ i -j'- i^ 



:sjz 



o 

.c: 



i 



Some-things seems tin- g"le-in - g:le-in - g"le- in- g"le - in-gfle-ing- so queer, 



P^B? 



ti ^vti^^p ^ ^^^^ ip- p r p i p p- pF ^ 



Some-thing- seems tin- gle-in- gle-in - g-le-in - gle - in-g-le-ing- so queer, tin-g-le-ing- so queer, 



j:^ J J J | T.vfT^.yFJ>.,ilJ)^ 



r l?f t^r 



p 



EeeI 



Some-thing- seems tin- g-le-in- g-le-in - g-le-in - g:ie -in- gle-ing- so queer, tin-g-le-ing- so queer, 



w^ 



, r# ^-f ;-f j^ 



^3 






m LTJ 



1* * 



p:^ 



/7 tempo 



^-1^ 



fz 3 fitdcc. 3 



% 



hv iiv 9' l j 



^^ 



i 



-^— t 



^ 



^ 



"■ ^^ 



-V*- 



^ 



^^ 



1+^^ ^- 

Here m your ear, 



Near - er and near, Like some strang-e 



\p p | p7P7p7 ^ 



Here in your ear, 



Near - er and near. Like some strang-e 



J uJ J i JW J^. JU J^ 



Here in 



your ear, 



Near - er and near. Like some strang-e 



r P ^ST ^^' »P ^ 



P T [7 y p : ^^ 



Here in your ear, Hear it in your ear, Near - er and near, Like some strang-e 



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Here in 



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your ear, Hear it in your ear. Near - er and near, Like some strang-e 

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in - g-le - in - g-le - in - g-le - in - gle - in - g"les And 



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min - gfling" of jin - g-le - in - g-le - in - gle - in - g^le - in 



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of jin - gfle - in - g^le - in - gle - in - gle - in 



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gles And 



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min - gling of jin - gle -in - gle - in - gle -in - gle- in 



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gles And 



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g-ling" 



of jin - gle -in - gle - in - gle - in - gle- in 



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tan-gle-an - gle-an - gle -an - gle- an 



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you want to 



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tan-gle-an - gle-an - gle-an - gle- an- 



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Why ! you want to cry, . 



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tan-gle-an- gle-an - gle- am - gle- an- -gles; Why! you want to cry,. 



i 



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sfz since. 



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112 



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cry, 



You want to die. 



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But all you do 



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cry, 



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cry, 



You want to die. 



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_ You want to die. 



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You want to die, But all you do 



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You want to die. 



You want to die, But all you do 



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Thats why! 



laug-h, Hi! Hi! You've got the Hig-h Jinks! 



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laug-h, Hi! Hi! You've g-ot the Hig-h Jinks! 



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That's why! 



laug-h, Hi! Hi! You've g^ot the Hig-h Jinks! 



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laug-h, Hi! Hi! You've g-ot the Hig-h Jinks! 



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That's why! 



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laug-h, Hi! Hi! You've got the High Jinks! 



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That's why! 



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24456 



113 



ACT m 



Allegro 



No. 13. Introduction 

(TANGO) 



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Gavotte 




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116 



No. 14. Ballet-Music 



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2Vt.56 



No. 15. Song and Chorus 

The Bubble 

Chi-Chi 



119 



Bells 



Bells 




Chi-Chif'">^^«AA^O 



r J J^ ^ ^ r 



^r i r r r 



Spun from the mists of a dream, ^ With rare tints from rain-bow lands 




marcato 



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bub-ble of sil-ver you seem,- 



Borne a - loft by fair - y hands 



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Sym-bol of love and its bliss, 



Like the gold of smil - ingr dawn 





Fair for a mo - ment, then kissed 



By the sun—- 



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and g"one! 



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130 



* 



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Float on!. 



float on! . 



Fair bub-ble of rain -bow hue,. 



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Float 



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on! 



float on!. 



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Loves sym-bol, a - las,_ too 



true! 



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float on!. 



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And van-ish in Heavns own blue 



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lov - ers' tears And hopes and fears, Bub -bles all, like you! 



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Float on! 
SOPRANO 




float onl 

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rzz: 



Fair bub-ble of rain -bow hue, 



Float on! 
ALTO 



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float on! 



Fair bub-ble of rain - bow hue, 



3 



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Float on! 
TEKOR 



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float onTi 



J J J J J 



Fair bub-ble of rain - bow hue, 



BASS 



^^ 



Float on! 



float onl 



bub-ble of rain - bow hue,. 



Float on! 



float onl 



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bub-ble of rain - bow hue,. 



121 



Float 



Float 



Float 





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onL 



on!- 



on!. 



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float on! 



Love's symbol, a - las,_ too truel 



i&- 



f loat on! 



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Love's sym-bol, a - las,_ too true!. 



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32 



float on! - 



Love's sym-bol, a - las,_ too true! 



m 



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Float on! 



? 



m 



float on! Love's sym-bol, a - las,_ too true!. 



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f r r r r r 



Float on! 



float on! Love's sym-bol, a- las,_ too truel. 



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Float 



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Float 



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Float 



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24456 



132 



i 



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onl 



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float on! . 



' 



And van-ish in Heavns own blue 

-^ — 



cresc. 

With 
cresc. 



on! 



^ 



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float on!- 



And van-ish in Heavns own blue, 



With 
cresc. 



r r 



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on! 



float on! . 



And van-ish in Heavns own blue. 



i= 



With 
cresc. 



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Float on! 



i 



float on! 



van-ish in Heav'n's own blue. 



With 
cresc. 



m 



Float on! 



float on! 



van-ish in Heavns own blue. 



With 



8- 



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lov - ers' tears And hopes and fears, Bub-bles all^ 

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like you! 
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lov - ers tears And hopes and fears, Bub-bles all, 

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like you! 
rit. C\ 



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lov - ers' tears And hopes and fears, Bub-bles all,_ 
H ;:r^,, I rit. n \ 



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like you! . 
rit. ft\ 



lov - ers' tears And hopes and fears, Bub-bles all, 



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like you!_ 
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lov - ers' tears And hopes and fears. 



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Bub-bles all, like you! 



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24456 



No. 16. Song and Chorus 
When Sammy Sang the Marseillaise 

Florence 



123 



Marcia 




Jfstucc. 




ir r t 

• 9 •- 



r >. ^^ J> i' I J' Tf ^^ I ^' ^' ^' ^'' 



Sam - my went to 
nigrht,while out a 



Par - is To 

stroll - ing: — To 



have a ju - bi - lee, 
see what he could see, 



For 
A 






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p stacc. 



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he'd been told That young- and old Were hap - py in Pa - ree; Al - 

"f rou - frou - ette" By chance he met. Who said, "Voi - la. Be - biel" But 



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But you 



tho' he was a Yan-kee, He 

not a word said Sam -my. His 



loved Pa-ri - sian ways, 
head was in a daze. 









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24456 



124 



1'^ r-"Pr ^'i-i' ^' r I '' '^i"p ^'F F 



was no use, He just broke loose When he heard the Mar- sell - laise!. 
bet he knew Just what to do: He sang- the Mar- sell - laise!. 



^ 



1-2. When 



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Sam - my sang^the Marseil - laise,. 



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when Sam - my sang- the Marseil - 



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fe^ 



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His French was rather shocking, But they knew his heart was rig-ht; The 



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Bou-levards are talking- Of that Yan-kee an-tic nig-ht. When Sam - my sang: the Marseil- 



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i^ o o tr^ 



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chons, 



mar - chons,. 



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You Yan 



- kee gfar 






stncc. 
marcato 



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Oh, they nev-erwiU for-g-et How they danced the pi-rou-ette When 






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Sam- my sang-the Marseil - laise! 



When Sam-my sang-the Marseil- laise! 



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i«o 



Florenze 



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— • * . 

When Sam - 

SOPRANO. ALTO 



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when 



my sang- the Mar- sell - laise,. 



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When Sam 

TENOR 



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- mv sanjT the Mar - seil - laise, 



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when 



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When 



Sam - my sang the Mar - sei - laise, 



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Sam -my sang the Mar- sei - laise>. 




Sam 



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my sangr the Mar - seil 



laise!. 



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laise! 



Sam 



my sang the Mar - seil 



His 



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when 



Sara - my sang the Mar - seil - laise! His 



ft ft t tr r ft — ff 



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Sam - my sang the Mar - seil - laise! His 



when 




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34456 



127 



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French was ra - ther shock- ing-, But they 



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knew his heart was rig"ht-, 



French was ra - ther shock - ing, But they 



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knew his heart was right; 



p P p F j! P P I p p r F r 



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The 



The 



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French was ra - ther shock - ing, But they 



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knew his 

— •- 



heart was right; 



V \ ' 7 



French was ra - ther shock - ing, But they knew his heart was right; 



The 



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Bou - le - vards are talk - ing Of that Yan - kee an - tic night 



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Bou - le - vards are talk - ing Of that Yan - kee an - tic night 



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Bou - le- vards are talk - ing- Of that Yan - kee an - tic nig-ht When 



Bou - le - vards are talk - ing Of that Yan - kee an - tic night When 

It .- . 



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24456 



128 



-r- — 
Sam 



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J^ J- J' J' 



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my sang- the Mar- sell 



laise. 



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laise. 



Sam 



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my sang the Mar - sell 



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When 



Sara - my sang the Mar - seil - laise. All 



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Par- is seemed to catch the craze: 



Mar - chons,_ 



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mar - chons,_ 



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Par- is seemed to catch the craze: 



Mar - chons, 



mar - chons,. 



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Par- is seemed to catch the craze: 



Mar - chons, 



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mar - chons, 



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Par- is seemed to catch the craze: 



Mar - chons, 



mar - chons,. 



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Yan 



kee gar - gons! 



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kee gar - gons! 



kee gar - cons! 



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kee gar - gons! 

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Oh, they nev-erwill for-g-et How they 



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Oh, they nev- er will for- get How they 



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Oh, they nev-erwill for- get How they 



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Oh, they nev-erwill for- get How they 



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danced the pi - rou-ette When Sam - my sangf the Mar-seil - laise!. 



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danced the pi- rou-ette When Sara - my sang the Mar-seil - laise!. 



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danced the pi - rou - ette When Sam - my sang the Mar-seil - laise!. 



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danced the pi - rou - ette When Sara - my sang the Mar-seil - laise!. 



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130 



No. 17. Song 

The Dixiana Rise 

Adelaide 



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With one - step, tur - key trot-ty jig"-g"ling-; 



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Both saint and sin-ner 



Are g-et- ting- thinner 



With mom-ing-, 



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noon and night -lywrig-g-ling-. From old Da-ho-mey, 



From fair Sa - lo - me , 



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We've learned all 



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arts of fun-ny wrig--g-ling-; But now the wise 



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REFRAIN 



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All spe-cial-ize In what they call the Dix - i - an - a Rise. 



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Dix-ie 



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There's a brand new dance; In Dix - ie, 



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There's a grand new dance, In Dix - ie: 



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One -step and glide, Tur - key 



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trot and, be - side, 



Mix - ture of Hig-h - land fling-. Tan - go and Buck 



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and Wing-. In Dix - ie 



Ev - 'ry - bo - dy shouts, In Dix - ie, 









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A - hoy! 



A - hoy! 



Board the ship of joy! 



Air - ship 



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just a shoot - in 



Through the skies! 



Toot! Thats us sa-lut-in' 




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Oh, come and join the fun! Life has just be-g\in! 



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When you dance the Dix - i - am - a Rise. 



In Rise. 



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134 



No. 18. Finale 

Something Seems Tingle-ingleing 

Soloists and Chorus 



Dick 



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351 




Some-thing- seems tin- gle-m - g^l&in - gle-in - gle - in - g^le-ing- so queer, 




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Some-thing seems tin 



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gle-ing so queer, 



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Some-thing seems tin- gle- in- gle- in - gle -in- gle- in- gle-ing so queer, 



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jme-thing seems tin- gle-in- gle-in - gle-in - gle- in- gle-ing so queer, tin-gle-ing sooueer 



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Some-thing seems tin- gle-in- gle-in - gle-in - gle- in - gle-ing so queer, tin-gle-ing so queer. 



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Here in your ear, 



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Here in your ear, 



Near - er and near, Like some strang^e 



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Near - er and near. Like some strange 

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Here in your ear. 



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Near - er and near. Like some strange 

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Here in your ear, Hear it in your ear. Near - er and near. Like some strange 



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Here in your ear, Hear it in your ear, Near - er and near, Like some strange 



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g-ling" of jin - ^le-in - grle.in - gle-in - gle - in - grles And 



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gling of jin - gle-in - gle-iii - gle-in - gle - in - gles 



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And 



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gling of jin - gle-in - gle-in - gle-in - gle - in - gles And 



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gling of jin - gle-in - gle-in - gle-in - gle - in - gles And 



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gling of jin - gle-in - gle-in - gle-in - gle - in - gles And 



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tan - gle- an - gle- an - gle- an - gle -an 



gles; 



Why! 



You want to 



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tan- gle -an - gle -an - gle -an - gle - an 



gles; 



Why! 



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tan - gle- an - gle-an - gle- an - gle - an 



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gles; 



Why! 



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tan - gle-an - gle-an - gle-an - gle - an 

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gles; 



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Why! youwant to cry, 

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tan - gle -an - gle-an - gle-an - gle - an 



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gles; 



Why! youwant to cry, 



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Youwant to die,- 



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But all you do is 



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cry, 



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ut all 3-ou do 



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cry, 



You want to die, . 



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But all you do 

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You want to die,. 



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You want to die, . 



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You want to die , But all you do is 



You want to die. But all you do 

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laug-h, Hi! Hi!YouVeg-ot the Hig-h Jinks! That's why! 



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laugh, Hi! Hi! You've got the High Jinks! 



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laugh, Hi! Hi! You've got the High Jinks! That's why! 



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laugh. Hi! Hi! You've got the High Jinks! That's why! 



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That's why! 



laugh. Hi! Hi! You've got the High Jinks! That's why! 



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Sylvia 
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Your dear voice call-ing" me, Call - ing-, en-thraJl-ing- me, Your dear 

Mr.Thorne 
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Your dear voice call-ing- me, Call - ing", en-thrall-ing- me. Your dear 



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Your 

Dick 
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dear voice call-ing" me, Call - ing-, en-thrall -ing- me. Your dear 



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Your 

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dear voice call-ing- me, Call - ing-, en-thrall-ing- me. Your dear 



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dear voice call -ing: me, Call - ing-, en-thrall-ing- me, Your dear 



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dear voice call - ing me, 



Call 



ing, en-thrall-ing me, Your dear 



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dear voice call - ing me, Call - ing, en-thrall-ing me, Your dear 



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Your dear voice call - ing me, 

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Call 



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Call 



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eyes be- hold - ing- me, Your deararms en-fold -ing- me, 



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eyes be -hold - ing- me, Your deararms en-fold-ing- me, Your lips ca 



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63-68 be - hold -ing- me. Your deararms en-fold-ing- me, Your 



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eyes be -hold - ing- me, Your deararms en-fold-ing- me, 



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eyes be - hold - ing- me, Your deararms en-fold-ing- me. Your lips ca- 



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ejes be - hold - ing me, Your deararms en -fold - ing me, Your lips ca- 



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eyes be - hold - ing me. Your deararms en -fold - ing me. Your lips ca- 



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139 



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Ah 



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Burn - ing- with bliss: 



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ress - ing" mine, Press - ing", pos- sess -ing" mine, Burn 



ing- with bliss: 

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ing-, pos - sess - ing- mine , Burn 



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ing with bliss: 



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ing, pos -sess -ing mine, Burn 



ing with bliss: 



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rail. 



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This must be Love's Own 



ff broadly 



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acccl. 



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rail 



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This must be Love's Own 
Jjibroadly rail. 



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KissL 




ff broadly^ 



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roll. accel. 



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ff broadly ^^^^_ 



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accel. 



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This must be Loves Own 

ff broadly 



rail. 



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accel. 




This must be Love's Own 

This must be Love's Own 



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24456 




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